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Jazz Articles about Arnaldo DeSouteiro
Deodato: In Concert - Live At Felt Forum
by Arnaldo DeSouteiro
Since his days at Verve Records in the early 1960s, when he produced seminal bossa nova albums by such artists as Luiz Bonfá, Walter Wanderley, Laurindo Almeida, Bola Sete, {{Antonio Carlos Jobim, João Gilberto and Astrud Gilberto, until his activities during the A&M/CTI era (when also signed Milton Nascimento and Tamba 4) and at the Greenestreet label (which thrived for a scant ten months in 1984, but gave him enough time to launch trumpeter Claudio Roditi's solo career), Creed Taylor ...
Continue ReadingGrant Green: The Main Attraction
by Arnaldo DeSouteiro
During his brilliant career as one of the best producers in the music history, Creed Taylor (born in Lynchburg, Virginia, on May 13, 1929) has worked with some of world's greatest guitarists: from Barry Galbraith (1919-1983) and Mundell Lowe, who took part in the Creed Taylor Orchestra albums (Lonelyville, Shock!, Ping Pang Pong) for ABC-Paramount in the late Fifties, to smooth jazz virtuoso Steve Laury, who was signed to CTI in 1995. In between, Creed produced memorable albums ...
Continue ReadingHank Crawford: Help Me Make It Through The Night
by Arnaldo DeSouteiro
One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums he cut for the label sold over 100,000 copies with almost no promotion. And his Kudu debut, Help Me Make It Through The Night, ...
Continue ReadingAntonio Carlos Jobim et al: Focus On Bossa Nova
by Arnaldo DeSouteiro
This is a trip into the world of bossa nova. Or the worlds of bossa nova. For the style that made Brazilian music so respected and famous all over the world has some subdivisions that coexist among its universe. Bossa nova ranges from the cool/introspective/airy sounds patented by Joao Gilberto in the late Fifties, to a strong/vigorous/hard-bop influenced samba-jazz that reigned in the mid-Sixties. But both streams are equally sophisticated in harmonic terms, mixing beautiful melodies with captivating grooves. So, ...
Continue ReadingVerve's Bossa Nova U.S.A.
by Arnaldo DeSouteiro
Paul Desmond: Samba with Some Barbecue Originally titled “Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach and “dry martini" alto sound. Different from the sad results of pseudo-bossa albums by Gene Ammons, Sonny Rollins, and so many others, this is ...
Continue ReadingJohnny "Hammond" Smith: Wild Horses Rock Steady
by Arnaldo DeSouteiro
Born John Robert Smith on December 16, 1933 (in Louisville, KY), formerly known as Johnny Hammond Smith, and later as Johnnny Hammond, one of the all-time best jazz organists passed away on June 4, 1997, in Chicago, Illinois. For some of his early fans, some of the best albums he recorded were done for Prestige in the Sixties. A younger generation, who grew up listening to the hip-hop influenced jazz sounds of the 1990s, prefers Johnny's over-produced sessions for Milestone ...
Continue ReadingEric Gale: Forecast
by Arnaldo DeSouteiro
Eric Gale (born on September 20, 1938, of Barbadian parents, in Brooklyn, NY) recorded over 500 albums as sideman, backing such stars as Aretha Franklin, King Curtis, Dianna Ross, Paul Simon, Lena Horne, Michel Legrand, Quincy Jones, Roberta Flack, Gladys Knight & The Pips, Joe Cocker, Carly Simon, Van Morrison, Milton Nascimento, Billy Joel, Gato Barbieri and Mongo Santamaria, to name a few. Gale's association with Creed Taylor began when the celebrated producer was working at Verve Records. ...
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