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About Ari Hoenig

3

Album Review

JD Walter: What the World Needs Now

Read "What the World Needs Now" reviewed by Pierre Giroux

by Pierre Giroux

JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...

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53

Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Dan McClenaghan

by Dan McClenaghan

Korean-born, New York-based pianist and composer Eunmi Lee opens her debut record, Introspection with her original composition, “Gimmick." And, if there is a gimmick, it sounds as if it might be her strong compositional voice and her way with an arrangement. The tune features Alan Ferber on trombone, saxophonist John Ellis, a guitar, bass and drums rhythm section, and Lee in the piano chair. In spite of the album's title, this opener is a bright, sassy roller. Maybe the gimmick ...

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31

Album Review

Alex Weitz: Rule of Thirds

Read "Rule of Thirds" reviewed by Jack Bowers

by Jack Bowers

Tenor saxophonist Alex Weitz's third album, Rule of Thirds, is a quartet date with guests--on seven of its nine tracks. In addition to playing tenor, Weitz wrote all but one of those numbers, Cole Porter's seductive “Love for Sale." Like many saxophonists these days, Weitz has excellent technique, which means he plays a lot of notes, and does that quite well. To his credit, he doesn't lean exclusively on that aspect of his talent, slowing the pace on several numbers ...

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5

Album Review

Andrew Moorhead: Interleaved

Read "Interleaved" reviewed by Dan McClenaghan

by Dan McClenaghan

A 47-foot fall that resulted in multiple injuries influenced the music-making of pianist Andrew Moorhead. So do mathematics and computer science, on his debut recording Interleaved. “An Interleaved digital signal is a single woven from multiple threads." This is what Moorhead tells us in his liner notes. The threads of Moorhead's life that come together to create his CD offering are the consequences of that fall, a love of music and his interest in mathematics. This ...

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30

Album Review

Ben Markley Big Band: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Jack Bowers

by Jack Bowers

Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...

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10

Album Review

Benjamin Boone: The Poets Are Gathering

Read "The Poets Are Gathering" reviewed by Paul Rauch

by Paul Rauch

Saxophonist Benjamin Boone continues his ambitious foray into jazz and poetry, this time recruiting an impressive cadre of poets for his aptly entitled release, The Poets are Gathering (Origin, 2020). The union of poetry and jazz has never been so powerfly presented, reflecting the past year of the worldwide Black Lives Matter movement, the universal role of the poet, and the power of art and voice to raise awareness and inspire change. The album employs the likes of US Poet ...

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8

Album Review

Ari Hoenig: The Pauper And The Magician

Read "The Pauper And The Magician" reviewed by Ian Patterson

by Ian Patterson

Concept albums have largely been the domain of progressive rock bands, whilst jazzers tend to prefer the term 'suite' to describe thematically linked pieces of music. Ari Hoenig's The Pauper and the Magician is arguably more the former than the latter, as these six compositions are inspired by a fable-like tale of Hoenig's design, without overt musical continuity. But for the liner notes describing the narrative as it unfolds--an evil magician entices a panhandling pauper to enter his wicked realm--it ...

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