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Ari Hoenig: Tea For Three
by Artur Moral
In the concise liner notes for this release, Ari Hoenig states that this is the first time he has kept the same lineup for two consecutive recordings. No shock there: From the album's opening bars, it is clear we are not just dealing with another trio, but with the convergence of three exceptional musical personalities whose creativity, level of connection and dialogic interplay deserve repeated opportunities to be captured in a studio setting. That is not to say the first ...
Continue ReadingAndy Ezrin: I Was Here
by Jack Bowers
Pianist Andy Ezrin should be heard more often, and by a far wider audience. Like all commanders of the keyboard, he can make his chosen instrument sing, sigh, sway or soar, as he does the Fender Rhodes and Hammond B3 organ whenever he so chooses. On I Was Here, Ezrin doubles as composer, performing thirteen of his charming compositions in groups ranging from trio to quintet before playing the last one, “Cascades," alone. Saxophonist Donny McCaslin sits ...
Continue ReadingBen Markley: Ari's Funhouse
by Angelo Leonardi
Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...
Continue ReadingGili Lopes: Algures
by Doug Collette
Bassist, composer, musical director and producer Gili Lopes is nothing if not an astute judge of talent. After all, for Algures (from an old Portuguese word meaning 'somewhere'), he has recruited a redoubtable case of accompanists, not the least of whom is saxophonist John Ellis, he of fruitful collaborations with Charlie Hunter and Miguel Zenon among others, as well as a string of diverse albums under his own name such as Dance Like There's No Tomorrow (Hyena, 2008) and Puppet ...
Continue ReadingBenjamin Boone: Caught in the Rhythm
by Paul Rauch
The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...
Continue ReadingEunmi Lee: Introspection
by Jack Bowers
Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...
Continue ReadingJD Walter: What the World Needs Now
by Pierre Giroux
JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...
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