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Jazz Articles about Adam Birnbaum

Album Review

Darcy James Argue's Secret Society: Dynamic Maximum Tension

Read "Dynamic Maximum Tension" reviewed by Angelo Leonardi


Precursore nel 2009 (con l'innovativo Infernal Machines) del nuovo rinascimento orchestrale nel jazz, Darcy James Argue approda all'etichetta Nonesuch e pubblica il nuovo album in studio: un doppio CD realizzato con i consueti partner della Secret Society più l'aggiunta della cantante Cecile McLorin Salvant e della violinista Sara Caswell. A differenza degli ultimi due dischi, Dynamic Maximum Tension non è un'opera multimediale ma conserva la spinta visionaria animata dalla costante riflessione socio-politica. Spinta che si traduce in ...

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Album Review

Darcy James Argue's Secret Society: Dynamic Maximum Tension

Read "Dynamic Maximum Tension" reviewed by Katchie Cartwright


Darcy James Argue's superb double-album Nonesuch debut offers compositions written throughout his career. He turns to twentieth-century thinkers for “ideas that can help us in the present, that we can reexamine and reconfigure for our own purposes." These include futurist designer Buckminster Fuller, cryptanalyst-computer scientist Alan Turing, composer-arranger Bob Brookmeyer, actress-screenwriter Mae West, trumpeter-mentor Laurie Frink, and musician-beyond-category Duke Ellington, among others. Like West, Argue seems to control his own path. He may not yet be the tycoon she was, ...

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Album Review

Andy Farber and His Orchestra: Early Blue Evening

Read "Early Blue Evening" reviewed by Jack Bowers


Saxophonist Andy Farber's New York-based orchestra came together and cut its teeth as the onstage band for three hundred performances of After Midnight, a Broadway revue that paid tribute to Jazz Age nightclub luminaries from Duke Ellington, Jimmie Lunceford and Count Basie to Harold Arlen, Dorothy Fields and Jimmy McHugh. As one might presume from the orchestra's provenance, echoes of Ellington and Basie can readily be discerned on its first recording since After Midnight closed in 2014--but Farber, who wrote ...

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Album Review

Jihye Lee: Daring Mind

Read "Daring Mind" reviewed by Jack Bowers


Korean-born composer Jihye Lee is a musician who knows her own mind, whether it be relentless, unshakable, revived, dissatisfied or Daring, as on her second recording for Motema Records. In 2018, Lee earned the prestigious BMI Charlie Parker Composition Prize for “Unshakable Mind," one of nine diverse themes presented here. Another, “I Dare You," is loosely based on Wayne Shorter's response when asked, “What is jazz?" It is a question Lee must also address, as her music is not only ...

Album Review

Jihye Lee: Daring Mind

Read "Daring Mind" reviewed by Angelo Leonardi


Solo un talento eccezionale come Jihye Lee poteva ottenere risultati così brillanti e personali nel campo dell'orchestrazione jazz partendo quasi da zero. Nata a Seoul ed emigrata negli Stati Uniti da adolescente, quando s'iscrisse al Berklee College conosceva pochissimo il linguaggio musicale afro-americano e per niente la sua dimensione orchestrale. Dopo un decennio, studi di perfezionamento alla Manhattan School of Music col grande Jim McNeely (a cui va riconosciuto parte del merito) e un primo eccellente debutto (April, 2017), la ...

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Album Review

Jihye Lee Orchestra: Daring Mind

Read "Daring Mind" reviewed by Mike Jurkovic


Listening to bandleader/composer Jihye Lee and her mic-drop orchestra is like watching your life flash before your eyes. You see it all: All the richness of spirit one can attain. All the sadness one can espouse. All the waltzing mischief to which one can aspire. Testing malleability at every turn, Lee's on to an eclectic something that doesn't pass through the torpor too often: A lucid, active imagination. Thus Daring Mind, Lee's Motema Music debut, co-produced by Darcy ...

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Album Review

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Jack Bowers


A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser auditors, however, most often reserve judgment, preferring to take an impartial stance and allow the music to speak for itself. And that is where ...


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