Jazz Articles
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Bridges vs. Walls
by J. Scott Fugate
If you ask ten Americans what does it mean to be an American?" you might well get 10 different answers.So it goes with America's only original, indigenous art form.Wait... we have one of those?Yes indeed--although it's rarely given the National respect or attention it deserves.Thus, if you ask ten Americans what our only original, indigenous art form may be, the correct answer might not even make the list.Baseball, hot dogs ...
Continue Reading...Todd Bishop Group: Little Played Little Bird
by Dan McClenaghan
Fans of alto saxophonist Ornette Coleman have had to sit through a long wait since the free jazz pioneer's last recording, Sound Grammar (Sound Grammar Records, 2006), a marvelous set that garnered the artist a Pulitzer Prize. Those fans are still waiting, though the iconic jazz man has teased them with his bits and pieces (non-album length) of his distinctive playing on bassist Jamaaladeen Tacuma's For the Love of Ornette (Jam All Productions, 2011) and saxophone legend Sonny Rollins' Road ...
Continue Reading...Take Five With Aidan Carroll
by AAJ Staff
Meet Aidan Carroll: Originally from Oklahoma, now living in New York and on the road, Aidan Carroll is an acoustic/electric bassist, composer, and educator. He attended the University of Central Oklahoma on full jazz scholarship, attended the Banff Workshop following college, and subsequently moved to New York for a Masters Degree at City College of New York where he studied with mentor John Patitucci. He's shared the stage with the likes of John Abercrombie, Adam Cruz, Ben Monder, ...
Continue Reading...Lucio Capece: Zero Plus Zero
by John Eyles
His Potlatch debut, Zero Plus Zero is the first solo recording from Berlin- based, Argentinean Lucio Capece. Recorded in Berlin between 2009 and 2011, it chronicles the ongoing evolution of his music, an evolution that has seen him move from focusing solely on soprano saxophone and bass clarinet to increasingly adding preparations to his instruments and employing the drones of the harmonium-like Indian sruti (or shruti) box. While soprano saxophone and bass clarinet are featured here on one track each, ...
Continue Reading...Nobuyasu Furuya Quintet: The Major
by John Sharpe
Japanese born reedman Nobuyasu Furuya splits his time between his native country and Portugal, where The Major was captured. Furuya first came to prominence in the free jazz big band, Shibusa-Shirazu Orchestra, before moving to Lisbon, where he recorded two previous sets with musicians from his current band: the well-received Bendowa (Clean Feed, 2009) and Stunde Null (Chitei, 2010). Furuya takes an unusual approach. The sleeve of this limited edition LP states both that all tracks were composed and conducted ...
Continue Reading...Eivind Opsvik: Overseas IV
by Troy Collins
For the past decade, Norwegian-born, New York-based bassist Eivind Opsvik has been leading his venerable Overseas ensemble through a variety of musical terrain, first heard on their self-titled 2003 Fresh Sound New Talent debut. Overseas IV, the second Overseas album to be released on Opsvik's own Loyal Label, features a stripped-down version of the original line-up, albeit one more expansive in its range of musical expression. Inspired in part by Sofia Coppola's 2006 film Marie Antoinette, this fourth recording from ...
Continue Reading...Jazz Punks: Smashups
by Franz A. Matzner
Jazz PunksSmashupsSelf Produced2012As its name and debut album title suggest, the Los Angeles-based Jazz Punks seeks to smash up" the jazz, punk and rock genres. But let's face it, jazz and punk hate each other, right? Jazz: all brain and no balls. Punk: all balls no brain. Nothing in common.On the one hand, we have punk. Blistering pace; overtly political; born out of the hard times and cross-cultural cauldron of ...
Continue Reading...Kidd Jordan: On Fire
by John Sharpe
Incendiary similes have always proven popular as descriptors of free jazz. Indeed, Fire Music," has been used as a label for the whole genre. New Orleans-based saxophonist Kidd Jordan's 2006 outing, the superb Palm of Soul (AUM Fidelity), essayed a meditative calm, music which couldn't be more different from the accurately named 50-minute studio session On Fire. While bassist Harrison Bankhead and drummer Warren Smith would be eminently suited to a contemplative, even melodically inclined date, here they too pursue ...
Continue Reading...Chris Madsen: Pop Art
by Thomas Carroll
Freedom of musical form is one of the many beauties of jazz. Jazz musicians express themselves through improvisation over musical structures that they can alter at any moment, shifting through different meters, timbres and harmonic landscapes. However, musicians run the risk of becoming too self-invested when they engage in long-form improvisation. In those unfortunate instances when improvisers begin to neglect the audience or their fellow band mates, the freedom that makes jazz such a potent musical product becomes a nuisance, ...
Continue Reading...Aaron Novik: Secret of Secrets
by Eyal Hareuveni
Secret of Secrets is the most ambitious project to date by Bay Area composer and clarinetist Aaron Novik. This dark and epic, deeply personal composition draws its inspiration from the writings of the late 12th century mystic Rabbi Eleazar Rokeach, known as Rabbi Eleazar of Worms. The Rabbi's masterwork, the five-book Secret of Secrets, deals with different mysteries of the spiritual realm, delving into these hidden worlds and divulging the true names of god, the secrets of the divine chariot, ...
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