Jazz Articles
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Thought-Fox: My Guess
by Ian Patterson
Thought-Fox is a quintet led by Lauren Kinsella, whose adventurism was already apparent on All This Talk About (WideEarRecords, 2012), an intimate series of improvisations with drummer Alex Huber. In a short time, the Irish singer has garnered glowing praise for her voice--a thing of rare beauty--and for her very personal improvisational style. Improvisations certainly color the music here, and though possible to imagine Kinsella performing these songs as duos--a format she enjoys--the quintet lends greater structural form as well ...
Continue Reading...The Charles Gayle Trio: Look Up
by John Sharpe
Fire-breathing saxophonist Charles Gayle has had to wait a long time for his ESP-disk debut. Allegedly, there was a 1974 session in the can, but the label folded in its earlier incarnation, before it saw the light of day. But now, a 1994 live date from Santa Monica has been issued on the revived imprint. Recorded during the spell that saw issue of such titles as Consecration (Black Saint, 1993), Kingdom Come (Knitting Factory Works, 1994) and Testaments (Knitting Factory ...
Continue Reading...Asuka Kakitani Jazz Orchestra: Bloom
by Dan Bilawsky
The difference between a big band" and an orchestra" in jazz is usually more than nominal in nature. On the surface, they may seem the same, but their intent, musical scope and arranging/compositional methodology are usually very different. While it can be seen as a bit of a generalization, the band" tag often refers to groups that take the straightforward path, while the orchestras" tend to take the road(s) less traveled. Duke Ellington paved the way for every adventurous jazz ...
Continue Reading...Chris Abrahams & Sabine Vogel: Kopfuberwelle
by John Eyles
Kopfüberwelle features the duo of German flautist Sabine Vogel and The Necks' pianist, Chris Abrahams, uncharacteristically on pipe organ. Of the six tracks, the first five were recorded in May 2010 in St. Annenkirche in Zepernick and the sixth in June 2009 in Potsdam, where Vogel holds a university teaching position. The rationale for Abrahams' switch of instrument from piano to organ is explained by the duo's explorations of both differences and similarities between the flute and organ." There are ...
Continue Reading...Sara Serpa / Ran Blake: Aurora
by Hrayr Attarian
Aurora is vocalist Sara Serpa's second release with her mentor, pianist Ran Blake. A duet recital recorded live at Lisbon's Auditório da Culturges, despite being more laidback and slightly less adventurous, it is just as creative as the pair's engrossing Camera Obscura (Inner Circle, 2010). Serpa and Blake's sparse and atmospheric delivery of these dozen songs is inventive, intellectually stimulating and satisfying. The cinematic Dr. Mabuse" features Serpa's wordless vocals, moving from wistfully contemplative to fiercely passionate, ...
Continue Reading...Take Five With Tony Vitti
by AAJ Staff
Meet Tony Vitti: In 2008, I was a singer in a metal band, but I decided to play jazz and blues in 2012, after some tours, some scenes. Instrument(s): I'm a singer, even if I play guitar, I sing, sing and sing again. Teachers and/or influences? I can't say I have a teacher because I always learn everything on my own. Music lessons are expensive and I never had the ...
Continue Reading...Circular Dreaming
by John Kelman
Now entering its fourth decade, Quest has covered a lot of territory in that time. Featuring, since inception, saxophonist Dave Liebman and pianist Richie Beirachtruly one of the longest-lasting partnerships in jazz; one marked by an inimitable shared understanding and distinct musical languageQuest's initial approach was perfectly articulated by Storyville's 2010 reissue of the quartet's second and third releases, Searching for the New Sound of Be-Bop, the first to stabilize its lineup with bassist Ron McClure and drummer Billy Hart). ...
Continue Reading...The Jim Hall Quartet: Live at Birdland
by Victor Verney
Guitarist Jim Hall, now in his eighth decade, continues to be a vigorous performer, fresh-minded arranger and creative composer. He's been around so long, and done so much, that it's humbling to try writing something fresh about him: there is little to say that hasn't already been said, and in many cases quite eloquently. A Google search turns up a lengthy list of well-chosen adjectives: subtle, fluid, daring, poetic, empathetic, graceful, economical, experimental, intuitive, inquisitive. Many reviewers ...
Continue Reading...Food: Mercurial Balm
by John Kelman
While Anglo/Norwegian musical encounters have recently been on the rise--Norway's In the Country and Jaga Jazzist, for example, recently discovering respective nexus points with British pedal steel guitarist BJ Cole and the Britten Sinfonia--it's of no small significance that Food has been exploring trans-national connective threads for a considerably longer time, with its eponymous 1999 recorded debut on British saxophonists Iain Ballamy's Feral imprint recorded nearly 15 years ago, at the 1998 Molde International Jazz Festival.But much has ...
Continue Reading...Trombone Shorty and Orleans Avenue: Denver, CO, December 29, 2012
by Geoff Anderson
Trombone Shorty and Orleans AvenueOgden TheaterDenver, CODecember 29, 2012Supafunkrock." That's the word singer/trombonist/trumpeter Trombone Shorty coined to describe the music he and his band Orleans Avenue play. The term captures only part of the ingredients the band mixes into its musical mélange. Besides funk and rock, the band adds generous helpings of soul, blues, hip-hop and jazz. Mostly, however, Trombone Shorty and Orleans Avenue sets out to create one big party. And it's no wonder; ...
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