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Jazz Articles about Sara Schoenbeck


About Sara Schoenbeck

7

Album Review

Jeff Lederer: There's a Yearnin'

Read "There's a Yearnin'" reviewed by Jerome Wilson


Jazz and classical music have been intersecting for decades. One of the most prominent examples of this was the Third Stream movement of the sixties, where composers and musicians like Gunther Schuller and John Lewis encouraged the efforts of jazz musicians who wanted to experiment in the world of classical music. The music created through the movement is little heard today, but Jeff Lederer has here assembled a selection of works from that period by Ornette Coleman, Eric Dolphy and Oliver ...

46

Album Review

Quinsin Nachoff: Patterns from Nature

Read "Patterns from Nature" reviewed by Glenn Astarita


Quinsin Nachoff, a Canadian-born saxophonist and composer now based in New York, has long pursued deep connections between music, science, and visual form. Patterns from Nature grew from an extended collaboration with physicist Dr. Stephen Morris of the University of Toronto, drawing on concepts of emergent order in natural systems. The project spread itself across several formats--a recorded suite, a film with contributions from four filmmakers, and live multimedia performances--and assembles an exceptional cast: pianist Matt Mitchell, clarinetist François Houle, ...

Album Review

Satoko Fujii: Hyaku: One Hundred Dreams

Read "Hyaku: One Hundred Dreams" reviewed by Alberto Bazzurro


Inciso al DiMenna Center di New York nel settembre 2022, questo album è forse il migliore, il più importante e ambizioso, realizzato dalla pianista giapponese in tempi recenti (e sappiamo quanto corposa sia la sua produzione da un po' di anni in qua). Basta, da subito, scorrere i nomi coinvolti nel progetto (in special modo il “grande vecchio" Wadada Leo Smith) per rendersene conto. La musica, poi, ci toglie da ogni dubbio o imbarazzo: siamo di fronte a un lavoro ...

Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by Giuseppe Segala


Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...

9

Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by John Ephland


Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is “so chamber music precise it must all be premeditated, right?" asked the ...

16

Album Review

Henry Threadgill Ensemble: The Other One

Read "The Other One" reviewed by Troy Dostert


Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...

16

Album Review

Satoko Fujii: Hyaku: One Hundred Dreams

Read "Hyaku: One Hundred Dreams" reviewed by Dan McClenaghan


Country music artist Merle Haggard (1937 -2016) released 66 studio albums in his day, along with five instrumental recordings and several live and compilation discs. When asked in a late-career interview if his upcoming album was a good one, he answered (paraphrasing). “I don't know. I've made so many I don't know if the next one's any good or not." He was probably pulling the interviewer's leg. It is hard to imagine an artist presenting a new work ...


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