Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

23

Sons of Kemet: Your Queen Is A Reptile

Chris May By

Sign in to view read count
It is appropriate that this, British-based Sons of Kemet's third album, should be released under the Impulse banner. During its heyday, Impulse was the home of John Coltrane, Alice Coltrane and Pharoah Sanders and as such was the chief platform for the cosmic/spiritual jazz movement of the 1960s and 1970s and that movement's demand for white-majority society's recognition of black culture and respect for black people. In 2018, the multi-racial Sons of Kemet, led by tenor saxophonist and composer Shabaka Hutchings, is a prominent British driving-force behind a similarly politically-assertive genre reboot. So many of Hutchings's musical heroes—who include the Coltranes and Sanders—have been housed under the label, that he says, "It's an honour to join the family." And just in case anyone misses it, Mzwandile Buthelezi's cover art—not just the album spine—is rendered in Impulse's signature orange and black.

Your Queen Is A Reptile offers a stripped-down alternative to the sometimes overlong and overbaked cosmic offerings of artists such as Kamasi Washington. Washington's otherwise excellent triple-CD debut, The Epic, would have been improved by rigorous editing, and less wafting and warbling from its heavenly choir. (Excessive running-time was addressed on Washington's follow-up, Harmony Of Difference. Saccharine choral overload, unfortunately, was not). The nine tracks on Your Queen Is A Reptile, by contrast, are paragons of concision and grit.

More importantly, perhaps, unlike Washington's take on cosmic jazz, the Sons of Kemet's music is explicitly grounded in everyday life, specifically the everyday life of people of African-Caribbean heritage living in Britain. Performance poet Josh Idehen adds excoriating verses to "My Queen Is Ada Eastman" and "My Queen Is Doreen Lawrence," and toaster Congo Natty rides "My Queen Is Mamie Phipps" dub style. All nine tracks are named after women of African heritage, and the sleeve notes contain a hard-hitting refutation of the relevance of the British monarchy to Britain's immigrant diaspora.

The line-up on the album differs a little from that on Sons of Kemet's debut, Burn, and second album, Lest We Forget What We Came Here To Do. Hutchings and Theon Cross, who replaced tuba player Oren Marshall on Lest We Forget, are both still here. But the high energy, yet light footed, twin-drummer team of Tom Skinner and Seb Rochford is expanded on some tracks to a trio by Moses Boyd or Eddie Hick. There are also guest appearances by saxophonists Nubya Garcia and Pete Wareham.

The title Your Queen Is A Reptile, by the way, references the surprisingly widespread belief that the members of the British royal family are all shape-shifting lizards from an alien civilisation. The jury is still out on that, but not on the inspirational lives of the women cited in the track titles. As large chunks of British society, and parts of American society too, whip themselves into an orgy of excitement over the upcoming marriage of Prince Harry and Meghan Markle, Your Queen Is A Reptile offer a timely antidote—and one given added impact by the multi-racial composition of the band.

Track Listing: My Queen Is Ada Eastman; My Queen Is Mamie Phipps Clark; My Queen Is Harriet Tubman; My Queen Is Anna Julia Cooper; My Queen Is Angela Davis; My Queen Is Nanny of the Maroons; My Queen Is Yaa Asantewaa; My Queen Is Albertina Sisulu; My Queen Is Doreen Lawrence.

Personnel: Shabaka Hutchings: saxophone; Pete Wareham: saxophone (track 4); Nubya Garcia: saxophone (track 7); Theon Cross: tuba; Tom Skinner: drums; Seb Rochford: drums (tracks 1, 2, 4-6, 8, 9); Moses Boyd: drums (tracks 3, 7, 8); Eddie Hick: drums (tracks 3, 7); Maxwell Hallett: drums (track 9); Josh Idehen: vocals (tracks 1, 9); Congo Natty: vocals (track 2).

Title: Your Queen Is A Reptile | Year Released: 2018 | Record Label: Impulse!

Tags

comments powered by Disqus

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Bulería Brooklyniana Album Reviews
Bulería Brooklyniana
By Dan Bilawsky
January 23, 2019
Read At The Hill Of James Magee Album Reviews
At The Hill Of James Magee
By Mark Corroto
January 23, 2019
Read Stomping Off From Greenwood Album Reviews
Stomping Off From Greenwood
By Mike Jurkovic
January 23, 2019
Read Live: The Rites of Spring Festival 2018 Album Reviews
Live: The Rites of Spring Festival 2018
By Roger Weisman
January 23, 2019
Read Runner in the Rain Album Reviews
Runner in the Rain
By Jack Bowers
January 22, 2019
Read Driftglass Album Reviews
Driftglass
By Chris May
January 22, 2019
Read Pure Magic Album Reviews
Pure Magic
By Mark Sullivan
January 22, 2019