Results for "Sons of Kemet"
About Sons of Kemet
Instrument: Band/orchestra
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Sons of Kemet

Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups—most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors—and embracing influences from the sounds of London’s diverse club culture, including house, grime, jungle, and dub. “The common theme in my career as a jazz musician has been wondering if what I’m doing is the thing that I should be doing,” says Hutchings, who studied classical clarinet at college at London’s prestigious Guildhall School of Music & Drama
Sons of Kemet / Ramakhandra at the Bluebird Theater

by Geoff Anderson
Sons of Kemet/Ramakhandra Bluebird Theater Denver, CO August 3, 2022 Nebraska--It's Not for Everyone." That's one of the more unusual tourism campaigns out there. But it came to mind Wednesday night at the Sons of Kemet concert. To start with, the band's instrumentation is unusual: tenor sax, tuba, two drummers. No ...
Mark de Clive-Lowe & Friends: Freedom: Celebrating The Music Of Pharoah Sanders

by Chris May
Albums by artists who are best known for their work outside jazz are best approached with caution. Keyboard player Mark de Clive-Lowe's Freedom: Celebrating The Music Of Pharoah Sanders is one such. Before moving to Los Angeles, Clive-Lowe lived in London, where he was prominent in the late 1990s/early 2000s broken beat movement, which, without getting ...
Shabaka: Afrikan Culture

by Chris May
It would be easy to mislay one's critical faculties when it comes to Shabaka Hutchings. The tenor saxophonist and clarinetist has since 2015 so invigorated the British jazz scene and, more recently, the international one, while eloquently articulating the potential of Afrikan cosmological thinking to realign the disorders of the modern industrial world, that the gravitational ...
Nduduzo Makhathini: In The Spirit Of Ntu

by Chris May
There are strong links between London's alternative jazz scene and the parallel and burgeoning one in South Africa. A case in point is the connection between South African pianist Nduduzo Makhathini and British tenor saxophonist and clarinetist Shabaka Hutchings. Makhathini and Hutchings' similar ages and overlapping, cosmologically informed takes on jazz meant they were ...
Big Ears Festival 2022

by Mark Sullivan
Big Ears Festival Knoxville, TN March 24-27, 2022 The Big Ears Festival found ways to continue virtually during the pandemicmost notably by sponsoring the Norwegian Digital Jazz Festivalbut there is no substitute for the big glorious eclectic event that is the in-person festival. Past festivals have usually opened with a big kickoff ...
Doug Hall's Best Recordings Of 2021

by Doug Hall
To echo the converging sentiments and high-fives" for a slew of extraordinary releases under a continued full-frontal assault of Covid Revenge part 2, there is a lot to embrace. I found myself sweeping though streaming releases and recordings of a vast variety of jazz genre. Seeing new faces and old and making discoveries. Such a wide ...
Attarian's Dozen: Twelve Superb Releases That Made 2021 Tolerable

by Hrayr Attarian
The year 2021 started full of hope yet it did not live up to its promises. Musically, however, it saw the release of several outstanding recordings. Below are a dozen that helped kept me sane and grounded throughout the year. Featured are the two mammoth and stimulating boxsets from saxophonist and improviser par excellence ...
Open Mike Night

by Patrick Burnette
We don't pen up or force-feed our co-host. This podcast is proud to say we use only free-range Mike. And when Mike's in the driver's seat, you never know what odd alleyways you might go down. Today's 'cast looks at two generations of Cherry's, the third appearance on this show of Kemet's best-loved offspring... and an ...
Ill Considered - Reconsidered

by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...