Hill Collective: Tonal Prophecy

The eight-piece Hill Collective hails from deep space via Brighton, a town an hour's train ride from London on Britain's south coast. In the contradictory way of many so-called collectives, it appears to have a leader, the alto saxophonist and composer/arranger Pete Piskov. But Piskov is there to marshal the madness not to repress it.

Tonal Prophecy is the ensemble's first studio album. It comes with resonances of Charles Mingus, Sun Ra, Ornette Coleman and the long gone but not forgotten magnificence of Rip Rig & Panic (featuring Don Cherry's daughter Neneh Cherry), a punk-jazz outfit from Bristol, another British coastal town. Generically there are Latin jazz mutations, the wilder shores of bop and free improv freak-outs. Along for the ride, too, is the Grand Unison Choir, nineteen friends of Hill Collective, who chant, chortle, sing and scream responses to the music.

If all this sounds anarchic, well, it is and it is not. It is more focused than Hill Collective's live performances appear to be, at least on the evidence of the YouTube below. It is also painted on a bigger textural canvas than the YouTube performance: Piskov fronts trumpeter Phil Smith, trombonist Will Roberts, harpist JoJo Circle, pianist luke congdon, bassist Frederico Micheli, drummer Joe Edwards and percussionist Sudhi S Pooniyil, making good use of the available sonic range.

The music is raw and it comes with the sort of energy and good vibes that gladden the heart.

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