Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

8

Richie Goods and Nuclear Fusion: Three Rivers

Dave Wayne By

Sign in to view read count
Growing up in the 1970s, I was a rabid fan of the aggressive and adventurous sounds of jazz-rock, later re-branded as "jazz fusion." I slowly lost interest as the style became mired in a sticky sea of overproduced pop moves and smooth sentiment, but held out hope for some sort of renaissance. The jam-band fad of the early 90s, the yeoman work of highly individualistic, often avant-leaning artists such as Ronald Shannon Jackson, Dr. Nerve, Terje Rypdal, and a host of musicians from Europe gave fusion a shot in the arm as the 20th Century closed. An extensive reissue campaign brought about a reconsideration of Miles Davis' pioneering work in the genre, and suddenly the jazz landscape was populated with a new generation of innovative electric and eclectic jazz-rockers such as Snarky Puppy, Elephant9, Kneebody, and Critters Buggin' to name just a few.

I mention all of this because there are still only a few musicians doing all-original "old school" high energy jazz-rock fusion. Bassist and composer Richie Goods is one of these brave souls. His latest album, Three Rivers—with a superb band he's dubbed Nuclear Fusion in tow—is a generous slab of in-your-face funky jazz-rock that takes you back to the mid-1970s in the best possible way. The title track is a great example. It's got a tricky odd time signature, crunchy rock drumming, weird keyboard sounds, a throbbing bass line, and a stinging, fuzzed-out guitar solo.

Goods does more than write the tunes and maintain a funky bottom end. He plays a lot of finger-popping, thumb-slapping lead bass in the style of Stanley Clarke and Gerald Veasley and his solos are consistently engaging and interesting. Not one to leave any stylistic stone unturned, Three Rivers also features four brief pieces featuring Goods' acoustic bass work. One of these is a lovely cover version of John Lennon's "Imagine." His band is sharp and on-the-money. Guitarist Ben Butler and keyboardist Andy Ezrin, both previously unknown to me, have chops to burn and a firm grasp of the demands of Goods' eclectic jazz-rock-funk style. I last heard drumming dynamo Billy Kilson in Tim Hagans' Animation Imagination and David Holland's quintet. Since then, he's been leading his own group, BK Groove, and working with Robin Eubanks, Chris Botti, and Paula Cole.

Botti guests on one track here, "Four Kings," a funky slow-burn that suits his Miles Davis-influenced trumpet style quite nicely. "Mudd Funk" more than lives up to its name, with Goods' lead bass sharing the melody with organist Sheldrick Mitchell as the famed hip-hop drummer (and occasional Snarky Puppy member) Lil' John Roberts provides a strutting backbeat. R&B influences crop up on the tracks featuring vocalists Sy Smith and Shayna Steele. "Sightless Bird," and "Hope She'll Be Happier" are tender ballads. Both have that Gospel touch, yet the performances of Smith and Steele are refreshingly restrained and soulful. "Epic" couldn't be more different; a heavy, complex jazz-rock piece featuring Kilson's crackling drums and Andy Ezrin's mellow Rhodes, Carolyn Leonhart's wordless vocal is used as a melodic lead in unison with Goods' bass. The band's version of "Shout" by Tears for Fears is completely off the wall. Played as a samba in double time, the band takes the piece into some completely unexpected places.

Track Listing: Soul Glow; Three Rivers; Cosmic Beauty; Richman Unplugged #1; Four Kings; Shout; Sightless Bird; Richman Unplugged #2; Mudd Funk; Hope She'll Be Happier; Richman Unplugged #3; Epic; Imagine.

Personnel: Richie Goods: electric bass, fretless bass, acoustic bass, synthesizer, keyboards; Billy Kilson (1-3, 5-7,10,12), Lil' John Roberts (9): drums; Ben Butler (1-3, 5-7, 9,10,12), Jeff Lockhart (1), Leonardo Amuedo (10): guitar; Andy Ezrin: Rhodes, synth ( 1-3, 5- 7,10,12); Sheldrick Mitchell: Hammond B-3 (9-10); Chris Botti: trumpet (5); Shayna Steele (7), Sy Smith (10), Carolyn Leonhart (12): vocals.

Title: Three Rivers | Year Released: 2015 | Record Label: RichMan Productions

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Read more articles
Three Rivers

Three Rivers

RichMan Productions
2015

buy
Live at the Zinc Bar

Live at the Zinc Bar

RichMan Productions
2009

buy

Upcoming Shows

Date Detail Price
Jun21Fri
Richie Goods
M
Los Angeles, CA
$30
Jun21Fri
Richie Goods
M
Los Angeles, CA
$30

Related Articles

Read LE10 18-05 Album Reviews
LE10 18-05
By Karl Ackermann
May 20, 2019
Read Remembering Miles Album Reviews
Remembering Miles
By Dan McClenaghan
May 20, 2019
Read Merry Peers Album Reviews
Merry Peers
By Bruce Lindsay
May 20, 2019
Read Music! Music! Music! Album Reviews
Music! Music! Music!
By Doug Collette
May 20, 2019
Read Sheer Reckless Abandon Album Reviews
Sheer Reckless Abandon
By John Kelman
May 19, 2019
Read Gratitude: Stage Door Live @ the Z Album Reviews
Gratitude: Stage Door Live @ the Z
By Jack Bowers
May 19, 2019
Read To My Brothers Album Reviews
To My Brothers
By Victor L. Schermer
May 19, 2019