Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

232

Bartosz Hadala Group: The Runner Up

Paul J. Youngman By

Sign in to view read count
Bartosz Hadala is a name of which more people should be made aware. Based in Poland, he is a world-class pianist and a contemporary composer with serious jazz chops. His debut, The Runner Up—a winner in every way—finds him in superb company, with some top names in jazz. Ten solid, fresh compositions—all original tunes, with the exception of Dizzy Gillespie's "A Night In Tunisia"—feature excellent performances by all parties, most of the songs performed by a septet. Up front, the tag team of saxophonist Ada Rovatti and trumpeter Randy Brecker cook on every feature, but the playing is superb all around.

Hadala asserts a strong pianist presence instantly on the opener, "Salt Water," a deep composition with a strong melody that flows smoothly; a very buoyant tune. The piano lifts the melody up with bright streams of runs, as if breaking across a windswept seashore. The band lays back, allowing the piano to guide the rhythmic ebb and flow, with the occasional wave of sound from trumpet or sax adding to the intense dynamic.

The beauty of this album is in its flow one song to the next, a gorgeous audio journey that paints pictures of serenity, spontaneity and beauty. After the serene "Salt Water," the spontaneity of "The One Call Behind" entices, followed by the beauty of tunes such as "Steve Wonders Why" and "A Sunday Walk." Ballads that feature a choppy piano styling are interspersed with beautiful melodies, and rainbow-colored chords shower individual notes down with joie de vivre.

The Runner Up is a strong debut for Bartosz Hadala. The inclusion of a powerful front line in trumpeter Brecker and saxophonist Rovatti, along with the ever- present and tasteful drumming of Antonio Sanchez and inspirational bass playing from both Noriko Ueda and Dave Anderson, make this one of the year's best records.

Track Listing: Salt Water, The One Call Behind, Another You, The B-Files, A Night In Tunisia, Steve Wonders Why, Madame, The Runner Up, A Sunday Walk, Any Way

Personnel: Bartosz Hadala: piano; Ada Rovatti: saxophone; Randy Brecker: trumpet; Noriko Ueda: acoustic bass; Dave Anderson:electric bass; Kevin Garcia: percussion; Antonio Sanchez:drums.

Title: The Runner Up | Year Released: 2010 | Record Label: Piloo Records and Productions LLC

Tags

comments powered by Disqus

Album Reviews
Read more articles
The Runner Up

The Runner Up

Piloo Records and Productions LLC
2010

buy

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read In Between the Tumbling a Stillness Album Reviews
In Between the Tumbling a Stillness
By Karl Ackermann
February 20, 2019
Read Gary Album Reviews
Gary
By Dan McClenaghan
February 20, 2019
Read Perception Album Reviews
Perception
By Paul Rauch
February 20, 2019
Read I Love the Rhythm in a Riff Album Reviews
I Love the Rhythm in a Riff
By Mackenzie Horne
February 20, 2019
Read Head First Album Reviews
Head First
By Roger Farbey
February 20, 2019
Read New American Songbooks, Volume 2 Album Reviews
New American Songbooks, Volume 2
By Karl Ackermann
February 19, 2019
Read Live At JazzCase Album Reviews
Live At JazzCase
By Troy Dostert
February 19, 2019