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Bartosz Hadala is a name of which more people should be made aware. Based in Poland, he is a world-class pianist and a contemporary composer with serious jazz chops. His debut, The Runner Upa winner in every wayfinds him in superb company, with some top names in jazz. Ten solid, fresh compositionsall original tunes, with the exception of Dizzy Gillespie's "A Night In Tunisia"feature excellent performances by all parties, most of the songs performed by a septet. Up front, the tag team of saxophonist Ada Rovatti and trumpeter Randy Brecker cook on every feature, but the playing is superb all around.
Hadala asserts a strong pianist presence instantly on the opener, "Salt Water," a deep composition with a strong melody that flows smoothly; a very buoyant tune. The piano lifts the melody up with bright streams of runs, as if breaking across a windswept seashore. The band lays back, allowing the piano to guide the rhythmic ebb and flow, with the occasional wave of sound from trumpet or sax adding to the intense dynamic.
The beauty of this album is in its flow one song to the next, a gorgeous audio journey that paints pictures of serenity, spontaneity and beauty. After the serene "Salt Water," the spontaneity of "The One Call Behind" entices, followed by the beauty of tunes such as "Steve Wonders Why" and "A Sunday Walk." Ballads that feature a choppy piano styling are interspersed with beautiful melodies, and rainbow-colored chords shower individual notes down with joie de vivre.
The Runner Up is a strong debut for Bartosz Hadala. The inclusion of a powerful front line in trumpeter Brecker and saxophonist Rovatti, along with the ever- present and tasteful drumming of Antonio Sanchez and inspirational bass playing from both Noriko Ueda and Dave Anderson, make this one of the year's best records.
Track Listing: Salt Water, The One Call Behind, Another You, The B-Files, A Night In
Tunisia, Steve Wonders Why, Madame, The Runner Up, A Sunday Walk,
Personnel: Bartosz Hadala: piano; Ada Rovatti: saxophone; Randy Brecker: trumpet;
Noriko Ueda: acoustic bass; Dave Anderson:electric bass; Kevin Garcia:
percussion; Antonio Sanchez:drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...