Home » Jazz Articles » Take Five With... » Take Five With Jonathan Mele
Take Five With Jonathan Mele
Since moving to New York City in 1996, Jon has performed with many well-known artists including Steve Swallow, Carla Bley, Sheila Jordan, Ronan Guilfoyle, Hugh Buckley and Richie Buckley. He played drums on the Van Morrison 2005 Universal/Exile records release Magic Time.
In addition, Jonathan has been writing for and performing with Nicholas Leichter Dance, while also working with other dance companies, including: NYU, Long Island University, Paul Taylor Dance, and Mark Morris.
He plays drums with U.S. based creative improvisers Equilateral, and an internationally-based organ trio, the Jazz Organism, which includes Australian guitarist Jeremy Sawkins and Irish organist Justin Carroll. Jon also performs with the Jeff Holmes Big Band and the New England Jazz Ensemble - groups that play music written by its members as well as music from the jazz ensemble/big band repertoire.
Jon has performed around the world on stage, TV, radio, and in recording studios, including: The Guinness Jazz Festival, Bray Jazz Festival, NYC's River to River festival, Summerstage, RTE (Ireland), Iowa City Jazz Festival, The Windmill Lane Studios, etc. He's also presented numerous clinics in the US and Europe.
Jon owns Tunnel Street Studio, where he writes, records drum and percussion tracks for singers, songwriters, producers, and other musicians, utilizing computers and the collaborative possibilities of the internet.
Jonathan is a Yamaha performing artist and endorses Sabian Cymbals, Evans drumheads, Vic Firth Drumsticks, and Grover Pro Percussion.
Instrument(s): Drums, Percussion.
Teachers and/or influences? Max Roach, Peter Erskine, Jack DeJohnette, Elvin Jones, Roy Haynes, Tony Williams.
I knew I wanted to be a musician when... I got my first real drum way back in sixth grade.
About Jonathan Mele
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






