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Julian Pressley: From The Duke To Ornette In His Own Way

by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Culture Clubs: Part IV: When Jazz Met Europe

by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Walter Smith III: Twio

by Roger Farbey
The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition Contrafact," chordally based on Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...
Presenting Problem

by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
Dave Young / Terry Promane: Octet Vol. 2

by Jack Bowers
It's a sign of the economic times (and a steadily shrinking audience) that more and more jazz CDs are being released these days in the near-equivalent of a plain brown wrapper." That's certainly true of Octet Vol. 2, the second recording by Canada's Dave Young / Terry Promane ensemble. That does not mean, however, that the ...
Sam Taylor: Along The Way

by Jack Bowers
On almost half of the nine tracks on Along the Way, tenor saxophonist Sam Taylor's close-knit quartet is actually a quintet thanks to the emphatic presence of the renowned Philadelphia-based tenor, Larry McKenna. Taylor's impressive visitor, two months shy of his eightieth birthday when the album was recorded in May 2017, keeps on playing with the ...
Jazz Musician of the Day: Zoot Sims

All About Jazz is celebrating Zoot Sims' birthday today! John Haley Zoot" Sims was born in Inglewood, California. Growing up in a vaudeville family, Sims learned to play both drums and clarinet at an early age. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. ...
Bob Lark-Phil Woods Quintet: Thick As Thieves

by Jack Bowers
Remember the good old days when jazz groups came out swinging and took no prisoners until the battle had been won? Well, why settle for memories when you can lay your cares aside for an hour or so and groove to Thick as Thieves, the third and last album by the unrivaled and always-aggressive Bob Lark ...
Cory Weeds & the Jeff Hamilton Trio: Dreamsville

by Jack Bowers
Even though the substance and framework of jazz are constantly changing and evolving, the music's bedrock--marked by spontaneity and free-wheeling swing--remains essentially unimpaired and secure. And when it comes to swinging, it's hard to eclipse the irrepressible pulse of the tenor saxophone, an instrument whose long and enduring ties to jazz and swing have been epitomized ...
Lew Tabackin: A Life in Jazz

by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...