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Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Ten Men
by C. Michael Bailey
My unscientific estimate contends that there are three female vocalists for every male vocalist. This does not mean that there are no male vocalists out there as evidenced by these ten examples. They just take a little longer to accumulate. Jay Leonhart and Tomoko Ohno Don't You Wish Chancellor Music
Salvo Losappio: Long Story Short
by Jack Bowers
Although Long Story Short is an entirely appropriate title for Italian-born tenor saxophonist Salvo Losappio's debut CD as leader, as its playing time is a lean LP-like thirty-eight minutes, Rush Job might have been an even better one. Losappio's name and face adorn the front cover of the album, which names his four sidemen but does ...
Six on Cellar Live
by C. Michael Bailey
Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Walter Smith III: Twio
by Roger Farbey
The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
Dave Young / Terry Promane: Octet Vol. 2
by Jack Bowers
It's a sign of the economic times (and a steadily shrinking audience) that more and more jazz CDs are being released these days in the near-equivalent of a “plain brown wrapper." That's certainly true of Octet Vol. 2, the second recording by Canada's Dave Young / Terry Promane ensemble. That does not mean, however, that the ...
Sam Taylor: Along The Way
by Jack Bowers
On almost half of the nine tracks on Along the Way, tenor saxophonist Sam Taylor's close-knit quartet is actually a quintet thanks to the emphatic presence of the renowned Philadelphia-based tenor, Larry McKenna. Taylor's impressive visitor, two months shy of his eightieth birthday when the album was recorded in May 2017, keeps on playing with the ...
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