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Rhyme and Reasons

Released: 2010
Track listing: 01. Rhyme and Reason (Keith Javors) - 7:04; 02. Sierra Nicole's Bossa (Keith Javors) - 8:04; 03. Springtime (Oleg Kireyev) - 8:41; 04. Happenstance (Keith Javors) - 8:12; 05. What is Love (Oleg Kireyev) - 10:30; 06. Chinatown (Oleg Kireyev) - 11:24.

On the Bright Side

Released: 2010
Track listing: 01. Welcome; 02. On the Bright Side; 03. Path of Most Resistance; 04. By the Way; 05. Forever More; 06. Call It What You Want; 07. My Past Is Here to Stay; 08. Lonnie’s Lament; 09. On the Bright Side (Reprise).

The State of Black America

Released: 2010
Track listing: 01. Stuck in a Rut; 02. The Unknown Self; 03. The Power of Knowing; 04. To Know God Is to Know Thy Self; 05. Blues for Charles (Who Split B4 the Butterfly Flew in).


The Mark Lomax Trio: The State of Black America

Read "The State of Black America" reviewed by AAJ Italy Staff

Album onestissimo, anche se magari non altrettanto superlativo in quanto a originalità, questo The State of Black America vede all'opera il trio del batterista Mark Lomax, nel quale si mette in evidenza Edwin Bayard, grazie ad una felice sintesi di diversi magisteri tenoristici, dal persino scontato binario Trane/Rollins, a modelli più lontani (Hawkins e Webster, per ...


Oleg Kireyev - Keith Javors: Rhyme and Reasons

Read "Rhyme and Reasons" reviewed by AAJ Italy Staff

Il quartetto diretto da Oleg Kireyev, sassofonista russo fra i più noti in patria, e dal pianista americano Keith Javors ci offre un jazz transnazionale che forse non sarebbe stato possibile prima della caduta della cortida di ferro. A completare il quartetto ci sono Boris Kozlov, contrabbassista russo ormai noto a livello internazionale per le sue ...


The American Music Project: On the Bright Side

Read "On the Bright Side" reviewed by AAJ Italy Staff

"This is our music, American Music: Miles, Coltrane, Billie Holliday, Tupac Shakur, Stevie Wonder, can you hear me". Il piano degli American Music Project è chiaro. Non lascia sottintesi, non è ambiguo, non è pretenzioso, non è presuntuoso. Se questa è la tradizione della musica americana, perché creare steccati tra jazz, hip-hop, poesia, R&B, gospel, funk ...


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