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Troy Collins' Best Releases of 2015
by Troy Collins
2015 was an eventful year for jazz and creative improvised music. A decade and a half into the new century found rising young artists revisiting, reevaluating and reinterpreting standards from the jazz canon in surprisingly creative ways. Many of the albums listed below are conceptual efforts dedicated to the advancements of revered masters, ranging from pre-war ...
Jazz at Lincoln Center Orchestra: Big Band Holidays
by Jack Bowers
The holiday season has its ups and downs on Big Band Holidays, recorded live over two Decembers (2013-14) by the Jazz at Lincoln Center Orchestra, which is without a doubt one of the finest big bands money can buy. Even though the most recent number on the album ("Have Yourself a Merry Little Christmas") was recorded ...
Wynton Marsalis Honored at Marian Anderson 2015 Awards Concert
by Victor L. Schermer
Wynton Marsalis Kimmel Center for the Performing Arts Marian Anderson Award Concert Philadelphia, PA November 10, 2015 On this celebratory occasion, Wynton Marsalis became the second bona fide jazz musician (the other being Quincy Jones) to win the prestigious Marian Anderson Award given to a show business individual who ...
Bill Charlap Trio at Tilles Center for the Performing Arts
by Dan Bilawsky
Bill Charlap Trio Tilles Center for the Performing Arts Jazz on Stage with Matt Wilson Brookville, NY November 8, 2015 To witness pianist Bill Charlap in action is to receive an education, so who better than the newly-appointed Director of Jazz Studies at William Paterson University to help kick ...
Blue Engine Records Celebrates the Holidays with BIG BAND HOLIDAYS: New release from the Jazz at Lincoln Center Orchestra with Wynton Marsalis features guest vocalists René Marie, Cécile McLorin Salvant and Gregory Porter
CD streets October 30, 2015; limited edition 180g vinyl coming soon Jazz at Lincoln Center’s Blue Engine Records celebrates the most wonderful time of the year with the release of Big Band Holidays, a compilation of holiday classics performed live by the world-renowned Jazz at Lincoln Center Orchestra with Wynton Marsalis. Special guests on Big Band ...
Hashtag Jazz
by Margret Grebowicz
In his 1994 study Thinking in Jazz: The Infinite Art of Improvisation, Paul Berliner describes American jazz as a community cutting across boundaries defined by age, class, vocation, and ethnicity" and concludes that it is their abiding love for the music that binds this diverse population together." (Berliner, 1994, p. 36) Twenty years later, jazz community ...
The Day the Music Died
by Jeff Fitzgerald, Genius
On one of my infrequent trips outside the 'Dome recently, I stopped at a convenience store for a cold Coke Zero when I noticed a man about my age (48. 52, in heels) driving a red 1988 Pontiac Trans Am and blasting Whitesnake's Here I Go Again" on his car stereo. He wore Zubaz workout pants ...
Blue Engine Records Releases Carlos Henriquez's Debut Album "The Bronx Pyramid"
Critically acclaimed bassist and Latin music master Carlos Henriquez announced the release of The Bronx Pyramid, his debut recording as a leader, on Blue Engine Records. The Bronx Pyramid, the second release from Jazz at Lincoln Center’s Blue Engine Records, features Henriquez expertly blending modern jazz with Latin rhythms on original compositions and new arrangements of ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis at the Mesa Arts Center
by Patricia Myers
Jazz at Lincoln Center Orchestra with Wynton Marsalis Mesa Arts Center Mesa, Arizona September 25, 2015 A sophisticated and engaging performance by the Jazz at Lincoln Center Orchestra with Wynton Marsalis was a meld of the trumpeter-leader's ongoing homage to jazz history plus the spark of original compositions from his current ...
Wynton Marsalis: Driving the Jazz at Lincoln Center Engine
by R.J. DeLuke
Jazz became America's popular music during the big band era, where people with ears for music and feet for dancing heard national bands, regional bands, and local bands. Musicians that became jazz stars attained that status through their individual solo statements in small windows in songs, especially when they were lucky enough to get them on ...



