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507

Article: Unsung Heroes

Vic Damon, 30th Street Studio, Village Vanguard

Read "Vic Damon, 30th Street Studio, Village Vanguard" reviewed by Sean Dietrich


The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...

85

News: Opinion

Safety in Numbers

The trigger for this was reading that today is Annie Ross' birthday. As far as I'm concerned (and it's a safe bet no one else is), there has never been a greater female 'parts' singer than Annie. Not just parts, but the vocalese solos she sang with Lambert and Hendricks. Fantastic range, intonation and phrasing. I ...

922

Article: Interview

Dana Lauren: Songs From Her Heart

Read "Dana Lauren: Songs From Her Heart" reviewed by R.J. DeLuke


What does it take for someone who has been singing since she was a toddler--and had her sights set singing as a vocation since in elementary school--to make a strong go of it? Great focus and a strong will would be necessary traits. Willingness to learn and a thick skin would also be valuable, particularly in ...

932

Article: Interview

Bill Cosby: If You Could Hear It, You'd Smile

Read "Bill Cosby: If You Could Hear It, You'd Smile" reviewed by Victor L. Schermer


Bill Cosby is a gentle giant, and not just physically. He is a powerhouse of energy and achievement. He's best known as a standup comedian non pareil. Moreover, his TV shows, such as The Cosby Show, have topped the ratings for many years, and he uses them as a way to promote racial reconciliation and disseminate ...

679

Article: Old, New, Borrowed and Blue

Jazz Goes Green: Musical Explorations On A Secondary Color Of Note

Read "Jazz Goes Green: Musical Explorations On A Secondary Color Of Note" reviewed by Dan Bilawsky


With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...

200

Article: Album Review

Brandon Wright: Boiling Point

Read "Boiling Point" reviewed by Raul d'Gama Rose


The appeal of saxophonist, Brandon Wright comes fast, bearing a rather lyrical swagger. This young tenor player shows plenty of confidence--even cockiness--and a mature attitude on Boiling Point. Wright has a full, round tone and a forthright attack; his fingering is deft, almost like a stage magician, and it bodes with it a whispering glissando in ...

912

Article: Interview

Larry Willis: Reaching and Teaching

Read "Larry Willis: Reaching and Teaching" reviewed by Russ Musto


In a career spanning five decades, Larry Willis has amassed one the most impressive resumes in jazz, including tenures with Jackie McLean, Hugh Masekela, Joe Henderson, Woody Shaw, Stan Getz, Carla Bley, Roy Hargrove, Jimmy Cobb's So What Sextet and Jerry Gonzalez and the Fort Apache Band, testifying to the high esteem in which he is ...

810

Article: Old, New, Borrowed and Blue

Keeping Up With The Joneses: The Jones Name In Jazz

Read "Keeping Up With The Joneses: The Jones Name In Jazz" reviewed by Dan Bilawsky


"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...

212

Article: Album Review

Cedric Caillaud Trio & Harry Allen: Emma's Groove

Read "Emma's Groove" reviewed by Jeff Dayton-Johnson


What if bassist Cedric Caillaud's sophomore effort had been recorded at Rudy van Gelder's fabled Englewood Cliffs studio and released on Blue Note Records in 1959, rather than France in 2009? The sound of Patrick Cabon's piano might have been slightly less warm (succumbing to engineer van Gelder's tendency to render pianos with a metallic tinge). ...

664

Article: Record Label Profile

Resonance Records: Non-Profit Jazz Label with a Mission

Read "Resonance Records: Non-Profit Jazz Label with a Mission" reviewed by Samuel Chell


It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...


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