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Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
Burlington Discover Jazz Festival 2017
by Doug Collette
The Burlington Discover Jazz Festival Burlington, Vermont June 2-11, 2017 With multiple popup shows and one on the roof of a local parking garage, in addition to the usual plethora of musical offerings up down and around Church Street at the center of the city, The Burlington Discover Jazz Festival ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
DE3 (Duane Eubanks, Eric McPherson, Dezron Douglas): Live at Maxwell's
by Stefano Merighi
Il trio DE3 (Eubanks-Douglas-McPherson) è toccato dalla grazia in questa incisione dal vivo al Maxwell's di New York. Già la formula di tromba-contrabbasso-batteria è piuttosto rara, vengono in mente al volo Roy Campbell e Kirk Knuffke, ma è la lingua comune fra i tre che si sprigiona già nell'esordio di “Brainfreeze" a catturare ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
Clarence Becton: Straight Ahead Into Freedom
by Barbara Ina Frenz
Clarence Becton is a musicians' musician—meaning, someone well-known in musician circles. He belongs to the generation of American jazz heroes who grew up under economically and socially difficult circumstances, and for that very reason, succeeded in gaining a comprehensive education, emancipating himself, and embodying the history of jazz music by directly learning from and working with ...
Il meglio del 2016 secondo Maurizio Zerbo
by Maurizio Zerbo
il 2016 non è stato particolarmente felice per chi ama il jazz, non mi è stato facile stilare questa lista di 12 CD da consigliare. Particolarmente degni di nota il nuovo album di Dino e Franco Piana e soprattutto l'omaggio di Brian Lynch allo sfortunato trombettista Woody Shaw. Da amare e consigliare anche le ristampe Blue ...
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
Brian Lynch: Madera Latino - A Latin Jazz Perspective on the Music of Woody Shaw
by Maurizio Zerbo
I ritmi asimettrici appartenenti alla tradizione afrocubana sostanziano questo straordinario doppio CD di Brian Lynch, che con Woody Shaw condivide il triste destino di essere musicista grandissimo, ma poco esposto alla luce dei grandi palcoscenici. Con il trombettista scomparso, Lynch ha anche in comune l'amore per una dimensione espressiva a tutto tondo, capace di incorporare sia ...
Jazz Musician of the Day: Woody Shaw
All About Jazz is celebrating Woody Shaw's birthday today! Woody Shaw, Jr. was born in Laurinburg, N.C. on December 24th, 1944 to Rosalie Pegues Shaw and Woody Shaw, Sr. He grew up in Newark, New Jersey, and began playing trumpet at the age of 11. Shaw attended Arts High School in Newark where he studied trumpet ...
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