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James Moody
Born:
For over six decades, saxophone master James Moody has serenaded lovers with his signature song Moody's Mood for Love an improvisation on the chord progressions of I'm in the Mood for Love. Born in Savannah, Georgia on March 26, 1925, and raised in Newark, New Jersey, James Moody took up the alto sax, a gift from his uncle, at the age of 16. Within a few years he fell under the spell of the deeper more full- bodied tenor saxophone after hearing Buddy Tate and Don Byas perform with the Count Basie Band at the Adams Theater in Newark, New Jersey. In 1946, following service in the United States Air Force, Moody joined the seminal bebop big band of Dizzy Gillespie, beginning an association that - on stage and record, in orchestras and small combos - afforded a young Moody worldwide exposure and ample opportunity to shape his improvisational genius
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Roscoe Mitchell
Born:
One of the top saxophonists to come out of Chicago's AACM movement of the mid-'60s, Roscoe Mitchell is a particularly strong and consistently adventurous improviser long associated with the Art Ensemble of Chicago. After getting out of the military, Mitchell led a hard bop sextet in Chicago (1961) which gradually became much freer. He was a member of Muhal Richard Abrams's Experimental Band and a founding member of the AACM in 1965. Mitchell's monumental Sound album (1966) introduced a new way of freely improvising, utilizing silence as well as high energy and "little instruments" as well as conventional horns
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Joe McPhee
Born:
Since his emergence on the creative jazz and new music scene in the late ‘60s and early ‘70s, Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist, as well as a thoughtful conceptualist and theoretician. Born on November 3, 1939, in Miami, FL, McPhee first began playing the trumpet at age eight. McPhee continued on that instrument through high school and then in a U.S. Army band stationed in Germany; during his Army stint, he was first introduced to traditional jazz. Clifford Thornton ’s Freedom and Unity , recorded in 1967 and released in 1969 on the Third World label, is the first recording on which McPhee appears
About Kalaparusha Maurice McIntyre
Instrument: Woodwinds
Results for pages tagged "Woodwind"...
Kalaparusha Maurice McIntyre
Born:
Kalaparusha Maurice McIntyre is a multiple reed specialist who has appeared throughout the world in festivals and clubs, at colleges and universities, and on television and radio. His musical associations have included performers such as Sam Rivers, Roscoe Mitchell, Howard Johnson, Warren Smith, Muhal Richard Abrams, Jack DeJohnette, Edward Wilkerson, Jr., Anthony Braxton, LeRoy Jenkins, Dave Holland, Kahil El'Zabar and Leo Smith among many others.
At the age of six months, or at least as old as his memory serves, Kalaparusha has been listening to music. Actually, it was during this time that his parents took him from their Clarkville, Arkansas home to the southside of Chicago, where they moved into an apartment above Mr. Smith, a music teacher and musical instrument repairman. It was here that young Maurice first heard and later met the likes of Johnny Griffin and Sonny Stitt playing the music that was to become his life.
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Charlie Mariano
Born:
Charlie Mariano is an American jazz alto saxophonist. He played with one of the Stan Kenton big bands, Toshiko Akiyoshi (his then wife), Charles Mingus, Eberhard Weber, the United Jazz and Rock Ensemble and numerous other notable musicians. His career can easliy be divided into two. Early on he was a fixture in Boston, playing with Shorty Sherock (1948), Nat Pierce (1949-50) and his own groups. After gigging with a band co-led by Chubby Jackson and Bill Harris, Mariano toured with Stan Kenton's Orchestra (1953-55) which gave him a strong reputation. He moved to Los Angeles in 1956 (working with Shelly Manne and other West Coast jazz stars), returned to Boston to teach in 1958 at Berklee and the following year had a return stint with Kenton. After marrying Toshiko Akiyoshi, Mariano co-led a group with the pianist on and off up to 1967, living in Japan during part of the time and also working with Charles Mingus (1962-63). The second career began with the formation of his early fusion group Osmosis in 1967. Known at the time as a strong bop altoist with a sound of his own developed out of the Charlie Parker style, Mariano began to open his music up to the influences of folk music from other cultures, pop and rock. He taught again at Berklee, traveled to India and the Far East and in the early '70s settled in Europe. Among the groups Mariano has worked with have been Pork Pie (which also featured Philip Catherine), the United Jazz and Rock Ensemble and Eberhard Weber's Colours. Charlie Mariano's airy tones on soprano and the nagaswaram (an Indian instrument a little like an oboe) fit right in on some new agey ECM sessions and he also recorded as a leader through the years for Imperial, Prestige, Bethlehem, World Pacific, Candid (with Toshiko Akiyoshi in 1960), Regina, Atlantic, Catalyst, MPS, CMP, Leo and Calig among others.
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Yusef Lateef
Born:
Renaissance man Dr. Yusef Lateef was born William Emanuel Huddleston in Chattanooga, Tennessee on October 9th, 1920. At the age of 5 he moved with his family to Detroit. Growing up in Detroit he came in contact and forged friendships with many a giant of jazz such as Kenny Burrell, Milt Jackson, Tommy Flanagan, Barry Harris, Paul Chambers, and Donald Byrd. By the time he graduated from high school he was a proficient tenor saxophonist. He started soon after graduation playing professionally and touring with different swing orchestras among them those of Hot Lips Page, Roy Eldridge and Lucky Millender. In 1949 he joined Dizzy Gillespie’s orchestra (using the stage name William Evans), and stayed with them for one year
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Eero Koivistoinen
Born:
Eero Koivistoinen (born January 13, 1946), one of the all-time greats in Finnish jazz and saxophone, arrived in the Finnish jazz scene in the mid-60s. Ever since, he has been one of the most distinguished and trusted jazz musicians in Finland. He is known for his versatility and creativeness, his tastes ranging from pithy jazz solos to large-scale orchestral works. Eero Koivistoinen’s interest in music began at an early age, his first choices being classical and the violin. At sixteen, the violin was put aside in favour of the alto saxophone. Later on he switched to the tenor and soprano saxophones
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Eric Kloss
Born:
Eric Kloss is a world renowned alto and tenor saxophonist, a multi-instrumentalist, recording artist, composer, clinician, educator, and television personality. Blind from birth music became his vision. A true child prodigy he performed with his mentor Sonny Stitt at age 12. Backed by jazz guitarist Pat Martino, his recording career began at age 16 with the release of “Introducing Eric Kloss”. Blending hard bob, be-bop, pop, rock, funk, free jazz, classical and world music, he went on to release 22 critically acclaimed recordings on the Prestige and Muse labels. A who’s who of jazz masters appeared as sidemen on his albums including Gerald Veasley, Barry Miles, Don Patterson, Jaki Byard, Gil Goldstein, Richard Davis, Alan Dawson, Cedar Walton, Jimmy Owens, Kenny Barron, Booker Ervin, Leroy Vinnegar, Billy Higgins, Kenny Barron, Bob Cranshaw, and Alan Dawson
Results for pages tagged "Woodwind"...
Rahsaan Roland Kirk
Born:
Kirk was born Ronald Theodore Kirk in Columbus, Ohio, but felt compelled by a dream to transpose two letters in his first name to make Roland. In 1970, Kirk added "Rahsaan" to his name. Preferring to lead his own groups, Kirk rarely performed as a sideman, though he did record with arranger Quincy Jones, Roy Haynes and had especially notable stints with Charles Mingus. He played the lead flute and solo on Jones' Soul Bossa Nova, a song popularized in the Austin Powers films (Jones 1964; McLeod et al. 1997). His playing was generally rooted in soul jazz or hard bop, but Kirk's knowledge of jazz history allowed him to draw on many elements of the music's history, from ragtime to swing and free jazz
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Rufus Harley
Born:
Rufus Harley, “the world’s first jazz bagpiper”, was born on May 20, 1936 near Raleigh, N.C. but grew up in a working class neighborhood in Philadelphia where his family moved when he was two years of age. He started playing the C melody saxophone and trumpet at age 12. In his later teens he worked as a paper boy to raise enough money to buy a tenor saxophone so that he can play in the high school band but at age 16 he dropped out of school and worked odd jobs to help support his family. He continued, however, to take music lessons on the saxophone, oboe, clarinet and flute from Dennis Sandole, a Philadelphia area guitarist and music teacher






