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Theo Bleckmann - Fumio Yasuda: Berlin - Songs of Love and War, Peace and Exile
by AAJ Italy Staff
Theo Bleckmann e Fumio Yasuda sono artisti interessanti e poliedrici che si muovono in aree di confine difficilmente etichettabili, a cavallo tra diversi generi musicali. Più cameristica e contemporanea la provenienza del giapponese e downtown della scena jazz di New York quella di Bleckmann. In passato i due avevano già collaborato, in occasione di Las Vegas ...
Ernst Reijseger: Do You Still
by AAJ Italy Staff
Lavoro davvero particolare, del resto come tutti i lavori a cui ci ha abituato Ernst Reijseger (clicca qui per leggere la recensione di un suo recente concerto per violoncello solo), questo Do You Still vede accanto al grande violoncellista olandese il pianista Frank van der Laar e un altro violoncello, quello di Larissa Groeneveld. Il disco ...
Paul Motian: Live at the Village Vanguard - Vol. 1
by AAJ Italy Staff
Un'occhiata ai titoli dei brani, con quello “Standard Time" in bella evidenza, seguito da “If You Could See Me Now", mi ha fatto temere il peggio. Non sono infatti un grande estimatore degli standard. E dunque ... Non appena ho messo il CD nel lettore, tuttavia, i miei timori sono stati spazzati via da un incipit ...
Paul Motian: Live at the Village Vanguard, Vol. 1
by Francis Lo Kee
What has always been beautiful about drummer/composer Paul Motian is his use of space or silence. His concept seems to be more about letting creative voices come through the total texture. Sometimes the voice is the drum, but sometimes it is sax or piano and Motian plays ideally, regardless of textural setting. Speaking of piano, Masabumi ...
Uri Caine: The Classical Variations
by C. Michael Bailey
One of the most attractive things about pianist and composer Uri Caine is his creative unpredictability. There are no musical genres he fears and, moreover, fears to combine in the post-provocative eutectoids. Caine's entire career has been characterized by this unpredictability, but he does have his favorite themes. One of those themes is his recasting of ...
Notefalls
Label: Winter & Winter Records
Released: 2007
Track listing: Deep Blue C: Part I, Part II; Don't let the Boogie-Man Get You; Plain 'n' Fancy; March of the Wild Turkey Hens; Desiccated Desert Desserts. Sideways: Swaying; Duet; Quartet; Slow quartet; Turning/pendulum; Fast duet; Crossing; Waltz; Final quartet; Finale; Swaying reprise. Notefalls: A Musical Day Book: Gathering (1/30/06); Valentine for B.B. (1/26/06); Satango (1/25/06); Pitch-Black (for M.M.) (1/27/06); Lily-White (2/3/06); The Silence (1/23/06).
Quirinus’ Liebeskuss “Alles wechselt” (All things change) / Serenade / Doppelsextett
Label: Winter & Winter Records
Released: 2007
Track listing: 01. Quirinus’ Liebeskuss (2000-2001) - 24:52; 02. Serenade (1994-1995) - 23:06; 03. Doppelsextett (2000-2001) - 21:07.
Uri Caine Ensemble plays Mozart
By Uri Caine
Label: Winter & Winter Records
Released: 2007
Track listing: Piano Sonata in C Major (1st Movement); Symphony #40 in G Minor (1st Movement); Symphony #41 in C Major
(2nd Movement); Clarinet Quintet in A Major (4th Movement); Piano Sonata in C Major (2nd Movement); Sinfonia
Concertante in E-flat Major (3rd Movement);
Plays Mozart
By Uri Caine
Label: Winter & Winter Records
Released: 2007
Track listing: Piano Sonata in C Major (first movement); Symphony 40 in G Minor (first movement); Symphony 41 in C Major (second movement); Clarinet Quintet in A Major (fourth movement); Piano Sonata in C Major (second movement); Sinfonia Concertante in Eb Major (third movement; "Batti, Batti O Bel Masetto" aria from "Don Giovanni"; "Bei Mannern, Welche Liebe Fuhlen" duet and "Der Holle Rache Kocht in Meinem Herzen" aria from "Die Zauberflote"; Turkish Rondo from Piano Sonata in A Major; Piano Sonata in C Major (third movement).
Mauricio Kagel: Quirinus’ Liebeskuss “Alles wechselt” (All things change) / Serenade / Doppelsextett
by AAJ Italy Staff
In questa raccolta di tre recenti lavori di Mauricio Kagel, “Quirinus’ Liebeskuss” (2000-2001), “Serenade” (1994-1995) e “Doppelsextett” (2000-2001), ci sono le solite pazze idee di Kagel da cui in genere si sviluppano progetti meravigliosi. Il vecchio Kagel, piacevolmente agitato, è sempre lui: a tratti più dissacrante, a tratti, meno però, melodico quel tanto che basta da ...
