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Cortex: Live in New York
by Mark Corroto
Do you remember when you first heard Ornette Coleman's The Shape Of Jazz To Come (Atlantic, 1959)? It could have been fifty years ago or five, but its life force remains. Its music was/is nearly impossible to ignore. The same can be said of the Norwegian quartet Cortex's Live In New York. It sizzles with a ...
Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979
by John Sharpe
In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Stephen Haynes: Pomegranate
by Neri Pollastri
Dedicato alla memoria di Bill Dixon, che gli fu maestro, questo disco di Stephen Haynes è un piccolo gioiello di nitidezza e coerenza, pur mettendo in scena una moderna musica free condotta da musicisti che certo non si sottraggono ad affrontare la complessità e magmaticità di questo genere. Il lavoro, di circa un'ora, si ...
Jeremy Danneman: Lost Signals
by Mark Corroto
Lost Signals is the third Jeremy Danneman Ropeadope Records release from a series of sessions recorded in the fall of 2013 with bass icon William Parker, percussionist Tim Keiper, and guitarist Anders Nilsson. You might think that after culling tracks for Lady Boom Boom (2015) and Help (2015) from these sessions, that a third release might ...
Matt Lavelle's 12 Houses: Solidarity
by Alberto Bazzurro
Nato a Paterson, New Jersey, nel 1970, un passato accanto a William Parker e a quell'autentico reincarnato che fu qualche anno fa Giuseppi Logan, Matt Lavelle dirige in questo apprezzabile lavoro, inciso nel novembre 2014, un ensemble di sedici elementi che denota, in prima battuta, un approccio vagamente mingusiano (tutti di Lavelle i temi), con avvio ...
Kali. Z. Fasteau: Intuit
by Mark Corroto
To pigeonhole a musician is to ghettoize a music. But we all do it. Yes, Kali Z. Fasteau is a pianist, but also a drummer, a cellist and a flutist. From her twenty plus recordings she refuses to be fixed with a descriptor. She also performs on the nai, kaval and shakuhachi flutes, is a vocalist, ...
William Parker, Lisa Sokolov, Cooper-Moore: Stan's Hat Flapping in the Wind
by Alberto Bazzurro
Album decisamente anomalo, quest'ultimo di William Parker, che vi ricopre il ruolo di puro e semplice autore (parole e musica, peraltro) di songs affidati a una forma quasi atavica, ancestrale, come quella che vede una voce accompagnata solo da un pianoforte. Del sessantaquattrenne bassista newyorchese ritroviamo peraltro diverse stimmate, in questo pur inusuale ...
David S. Ware and the Wisdom of Uncertainty
by Jakob Baekgaard
Every record label needs a beginning, a first release, but it is seldom that the initial release is a masterpiece. However, this is the case with Wisdom of Uncertainty, saxophonist David S. Ware's album from 1997, which was the inaugural release of Steven Joerg's AUM Fidelity imprint. The name of the label is ...
Peter Kuhn Is Back With A New Trio Recording And His Archive Recordings Reissue
Livin' Right is a product of the amazing NYC loft scene of the 1970s, where players from around the world gathered in a rare period of community, harmony, and creativity, a time when a relative unknown from California could meet and play with the great musicians on this disc. William Parker was already a phenomenon at ...
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