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Pete McCann: Range

by Troy Collins
Wisconsin-born guitarist Pete McCann has been a mainstay in the New York City jazz scene for over 25 years, yet mysteriously continues to elude widespread recognition, despite his impressive virtuosity. McCann's enviably diverse skills are well-documented on the aptly titled Range, the fifth release issued under his name. Joined by alto saxophonist John O'Gallagher, keyboardist Henry ...
Matthew Stevens: Woodwork

by Dan Bilawsky
Guitarist Matthew Stevens has already made a name for himself through his work with artists like trumpeter Christian Scott, saxophonist Walter Smith III, drummer Terri Lyne Carrington, and bassist-vocalist Esperanza Spalding. But he shouldn't be pigeonholed as a support player or viewed simply as sideman du jour in the eyes of the jazz world. That would ...
Joel Harrison 5: Spirit House

by Troy Collins
Throughout his storied career, Washington DC-born guitarist Joel Harrison has demonstrated an interest in a wide range of musical styles. Since his leadership debut in the mid-1990s, Harrison has explored an array of genres, from pan-global collaborations with North Indian classical musicians to radical rearrangements of Appalachian folk tunes. Spirit House, the premiere of his most ...
Joel Harrison: Spirit House

by Blaine Fallis
Spirit House is a Joel Harrison original! Original compositions, ideas, instrumentations, and grooves. While jazz sometimes repeats itself (in style, instrumentation, or choice of songs etc.), Harrison creates completely new music worth listening to, repeatedly." I say this because he wrote the music specifically for this unique group of individuals," using electric guitar with ...
Ivo Neame: Strata

by Phil Barnes
Probably best known for his work as part of the much celebrated trio Phronesis, UK pianist Ivo Neame has quietly built an enviable discography encompassing sideman appearances with Ant Law and Andre Canniere along with excellent albums as leader such as 2012's Yatra. The latter in particular was a remarkably ambitious octet session that mixed clarinet ...
George Crowley: Can Of Worms

by Bruce Lindsay
A tin full of slimy, wriggly, things bursts open, scaring the oddly mismatched young couple. It's not your usual jazz album cover art, but it suits the title of the second album from young UK saxophonist George Crowley--Can Of Worms--and Crowley carries on the motif with further creepy-crawlies on the inside of the sleeve. Not that ...
Ivo Neame: Strata

by Roger Farbey
Taking a busman's holiday from his work with the award-winning Phronesis and the Kairos 4Tet, Strata is Ivo Neame's fourth innovative album released under his own name. Strident piano chords introduce Personality Clash" where, following the opening ensemble theme and a piano solo combining both angularity and warmth,Jim Hart gives a masterclass in frenetic vibraphone soloing. ...
Samuel Blaser Quartet: Spring Rain

by Troy Collins
Spring Rain is Swiss trombonist Samuel Blaser's first release for the British imprint, Whirlwind Recordings. A sublime homage to the visionary work of under-sung innovator Jimmy Giuffre, the album features Blaser's current working quartet with Russ Lossing on piano and analog keyboards, Drew Gress on upright bass, Gerald Cleaver on drums, and Grammy winning producer Robert ...
Phil Robson: The Cut Off Point

by Roger Farbey
With four albums already to his name and another four by the band Partisans which he co-leads with saxophonist Julian Siegel, British guitar phenomenon Phil Robson hardly needs any introduction, save that his new musical departure is realised by an organ trio offering a smörgåsbord of exciting and imaginative compositions. Thief" hits the ground ...
Partikel: String Theory

by Roger Farbey
A frenetic opening to the third album by Partikel augurs well for the rest of this hour-long recording and there's almost a reminiscence of Frank Zappa's Hot Rats in its intensity. Partikel here is augmented on this session by a string quartet. A jazz trio with strings? Yes, but not just any strings, these are strings ...