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Results for "What is Jazz?"
Musical And Lyrical Sophistication In Jazz And Other Genres
by Kurt Ellenberger
This scatter graph (directly below) shows the results of an All About Jazz Readers' Poll that was conducted during portions of 2021. There were almost 400 participants who rated these genres on their “musical and lyrical sophistication" on a 10 point scale. No instructions were given on the definition of “sophistication"—the participants were free to use ...
Jazz Returns to Seattle's Central District: Two Evenings of Black Brilliance
by Paul Rauch
There is a miracle on the corner of 12th Avenue and Jackson St. in what is now Seattle's “Little Saigon." In what was a traditional African American and Jewish community before the influx of Vietnamese, Cambodian and Laotian immigrants after the war in Southeast Asia in the early 1980's, this urban crossroads was the main pulse ...
What Is Jazz Music About? The Search Continues...
by AAJ Staff
We thought it would be a fun exercise to conduct various searches on jazz and compile the results. What are the defining characteristics of jazz? After all the searching, only a handful of elements exist that musicians and experts commonly accept as defining characteristics of jazz. Swing and syncopationImprovisation Bent notes and ...
Building a Jazz Audience: The Sisyphus Redux
by Kurt Ellenberger
Since my controversial article on jazz education and audience development, many have asked “Well, if education isn't the answer, what's the solution? How do we develop and maintain a strong jazz audience?" Audience development is a complicated issue, and it's not limited to jazz. Every artist and arts organization is trying to answer the ...
Ghosts In The Machine, Part 5: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 5: Jazz in Academia Jazz musicians have always been acutely aware of the “byproduct" of becoming proficient in jazz. Jazz training, even if rudimentary, provides the ability to master or at least become fluent in other styles in a ...
Ghosts In The Machine, Part 4: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 4: Jazz in the Trenches In my previous articles, I detailed the enormous influence that jazz musicians have had on popular music since the 1960s. This may, early on, have been a matter of survival; as the popularity of ...
Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
Ghosts In The Machine, Part 2: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part II: The Machinery Jazz musicians have played an important role in the development of popular music from the 1960s until today (we should also remember that jazz actually was popular music from the 1920s-1940s). For those who know the ...
Ghosts In The Machine, Part 1: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part I: The MachinesJazz and classical musicians have long had a troubled relationship with pop music. (By “pop music," I mean all styles outside of classical and jazz--country, rock, hip-hop, rap, etc.--any style that enjoys a double-digit market share is ...
Jazz and the Dream of Martin Luther King, Jr.
by Douglas Groothuis
Without jazz, there may have been no “I Have a Dream" speech by Martin Luther King Jr. Delivered at the August 28, 1963 March on Washington for Jobs and Freedom, this historic oratory is most known for improvisation--a skill without which there is no jazz--that was not found in his original written text. Moreover, the very ...
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