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Bite-Sized Morsels
by Geno Thackara
In among the more usual full-length offerings (arguably one ideal standard for collections of music), it's also good not to overlook the appeal of servings in smaller sizes... Larry Tamanini Front & Center Outer Marker2020 Somewhere at the intersection of urbane contemporary and old-time retro lies a sweet spot ...
The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)
by Russell Perry
Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s ...
How to Play a Tin Whistle Like Michael Brecker
by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."
Results for pages tagged "Wes Montgomery"...
Wes Montgomery
Born:
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of his idol, the guitarist Charlie Christian.
Along with the use of octaves (playing the same note on two strings one octave apart) for which he is widely known, Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard "Lover Man" is an example of his single-note, octave and block chord soloing. ("Lover Man" appears on the Fantasy album THE MONTGOMERY BROTHERS.) Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. This technique enabled him to get a mellow, expressive tone from his guitar. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote that "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double- jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."
BIG January Birthday Salutes!
by Marc Cohn
BIG, I mean BIG January birthday salutes on Gifts & Messages this week: 120th birth anniversary for trombonists Juan Tizol and Wilbur De Paris; 110th for Django Reinhardt; 100th for vocalist Betty Roché and saxophonist Jimmy Forrest; 90th for saxophonist Jack Nimitz, trumpeter Kenny Wheeler and pianist/vibraphonist Buddy Montgomery. And special birthday greetings to bassist Eberhard ...
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Wes’s Best: The Best of Wes Montgomery on Resonance
Label: Resonance Records
Released: 2019
Track listing: Jingles; Mr. Walker; West Coast Blues; Four on Six; Once I Loved (O Amor em Paz); Wes’ Tune; Li’l Darling; Going Down to Big Mary’s; Diablo’s Dance; Nica’s Dream; Give Me the Simple Life; ‘Round Midnight.
Will Sellenraad - Eric McPherson - Rene Hart: Greene Street Vol.1
by Geno Thackara
Considering how well Will Sellenraad clearly knows the history and ins-and-outs of jazz guitar, he might seem to be making a statement by using a title so reminiscent of Grant Green's classic Green Street (Blue Note, 1961). To be sure, this one does show the influence of some key six-stringers such as Green, Wes Montgomery, Pat ...
50th Anniversary Blue Notes for December, Including The Rare Jazz Wave on Tour
by Marc Cohn
50th anniversary Blue Notes from December 1969 this week from Jack McDuff (Moon Rappin') and Reuben Wilson (the seriously greasy Blue Mode) and part of a Donald Byrd session (Kofi) only released 25 years after the fact! Then, there's this one: Jazz Wave Ltd. on Tour, Volume 1. It's a double LP (it's in my lap ...
