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Article: Album Review

Kurt Rosenwinkel Trio: Angels Around

Read "Angels Around" reviewed by Geno Thackara


However much Kurt Rosenwinkel has audaciously wandered away from familiar tracks in his career, the spirit of jazz has always stayed central to his roots and his playing. For every surprising exploration such as the electronic Heartcore (Verve, 2003) or the richly dense Caipi (Heartcore, 2017), there's been a relatively straightforward jam or standards date for ...

4

Article: Interview

Uberjamming with John Scofield

Read "Uberjamming with John Scofield" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2002. “Uberjam." Literally: “over all jam," translates to 'groove above all' on this true band effort, Scofield's latest recorded outing. You'll likely see this title described as anything from groove...techno...ambient...world...trance... to acid...and back again, but like MMW, it's unique in ...

47

Article: Building a Jazz Library

Riverside Records: An Alternative Top Ten

Read "Riverside Records: An Alternative Top Ten" reviewed by Chris May


From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...

8

Article: Interview

Jimmy Cobb: We're Remembering U

Read "Jimmy Cobb: We're Remembering U" reviewed by Scott H. Thompson


Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of Tadataka Unno on piano and Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in ...

6

Article: Reassessing

Piano

Read "Piano" reviewed by C. Michael Bailey


Following his debut as a leader on, Wynton Kelly: New Faces -New Sounds (Blue Note, 1951), pianist Kelly surfaced again some seven years later, this time on Riverside Records, with the simply titled Piano. The length of time between leader recordings is a testament to the pianist's value in a supporting role for artists like Dinah ...

10

Article: Album Review

Jocelyn Gould: Elegant Traveler

Read "Elegant Traveler" reviewed by Dan McClenaghan


Guitarist Jocelyn Gould opens her debut album, Elegant Wanderer, with a cooker: Cole Porter's “It's All Right With Me." The tune is artfully arranged for quartet—piano and guitar with bass and drums—and Gould displays some serious chops. She has soaked up the influences of Wes Montgomery, Grant Green, Kenny Burrell and Joe Pass, and she wears ...

35

Article: Album Review

Rob Luft: Life Is The Dancer

Read "Life Is The Dancer" reviewed by Chris May


British guitarist Rob Luft's debut album, Riser (Edition, 2017), was greeted with huge acclaim. Some observers likened his arrival to the emergence of Wes Montgomery or Pat Metheny. The music world is used to hyperbole, but for once the praise is justified. For anyone yet to hear Luft, a useful yardstick is the pianist Bill Evans: ...

11

Article: Multiple Reviews

Bite-Sized Morsels

Read "Bite-Sized Morsels" reviewed by Geno Thackara


In among the more usual full-length offerings (arguably one ideal standard for collections of music), it's also good not to overlook the appeal of servings in smaller sizes... Larry Tamanini Front & Center Outer Marker2020 Somewhere at the intersection of urbane contemporary and old-time retro lies a sweet spot ...

11

Article: Radio & Podcasts

The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)

Read "The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)" reviewed by Russell Perry


Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s ...

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Article: The Jazz Life

How to Play a Tin Whistle Like Michael Brecker

Read "How to Play a Tin Whistle Like Michael Brecker" reviewed by Peter Rubie


I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."


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