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Maria Pia De Vito: Bergamo Jazz and Beyond
by Libero Farnè
Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...
Jimmy Haslip: Amperes Beyond the BASSics, Part 2
by Jim Worsley
In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...
Lydian Sound Orchestra: Mare 1519
by Angelo Leonardi
Lo straordinario viaggio attorno al mondo del 1519 di Magellano e dei suoi uomini (tra cui il vicentino Pigafetta che ne raccontò le vicende) è il motivo da cui prende spunto il nuovo concept album della Lydian Sound Orchestra. L'anno di partenza di quella straordinaria spedizione (che si concluse, morto Magellano in battaglia, nel 1522) è ...
Pat Metheny: From This Place
by John Kelman
It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...
February 50th Anniversary Blue Notes & More
by Marc Cohn
This week on Gift & Messages we mark 50th anniversary of Blue Note releases from February 1970 by flautist Jeremy Steig (Wayfaring Stranger with Eddie Gomez on bass), McCoy Tyner (Extensions with Wayne Shorter, Gary Bartz and Alice Coltrane), and Duke Pearson (I Don't Care Who Knows It), as well as BN-18 from Edmond Hall with ...
About Wayne Shorter
Results for pages tagged "Wayne Shorter"...
Wayne Shorter
Born:
Born in Newark, New Jersey on August 25, 1933, Wayne Shorter had his first great jazz epiphany as a teenager: “I remember seeing Lester Young when I was 15 years old. It was a Norman Granz Jazz at the Philharmonic show in Newark and he was late coming to the theater. Me and a couple of other guys were waiting out front of the Adams Theater and when he finally did show up, he had the pork pie hat and everything. So then we were trying to figure out how to get into the theater from the fire escape around the back. We eventually got into the mezzanine and saw that whole show — Stan Kenton and Dizzy Gillespie bands together on stage doing ‘Peanut Vendor,’ Charlie Parker with strings doing ‘Laura’ and stuff like that. And Russell Jacquet…Ilinois Jacquet. He was there doing his thing. That whole scene impressed me so much that I just decided, ‘Hey, man, let me get a clarinet.’ So I got one when I was 16, and that’s when I started music.
Massimo Biolcati: Incontre
by Friedrich Kunzmann
Massimo Biolcati is somewhat of a quiet giant. This is revealed not only by the elegant way in which he handles his double bass but is furthermore expressed by his humble personality on-stage as well as off. So much for the quiet aspect. Why a giant? Raised in Italy and Sweden, Biolcati graduated from both the ...
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
Scott Kinsey: On speaking Luniwaz with an accent
by Friedrich Kunzmann
Scott Kinsey belongs among the most influential keyboard players of the past decades and seems capable of adapting to any style of music. Unlike those who came before him, Kinsey was born into the golden era of keyboards and synthesizers, when visionaries such as Chick Corea and Herbie Hancock had already begun to explore the vast ...
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
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