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Article: Album Review

Dave Bass Trio: Trio Nuevo Vol 2

Read "Trio Nuevo Vol 2" reviewed by Jack Kenny


This is a splendid, joyful, intriguing album. A captivating vitality and melodic intensity marks Dave Bass's piano playing. He immerses himself in each piece, which draws the listener in and carries them forward. The tight synergy between Tyler Miles (bass) and Steve Helfand (drums) drives the music. The musical selections span diverse jazz composers: Thelonious Monk, ...

Article: Album Review

Ryan Truesdell: Shades of Sound

Read "Shades of Sound" reviewed by Angelo Leonardi


Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i ...

5

Article: Album Review

Ryan Truesdell / Gil Evans Project: Shades Of Sound

Read "Shades Of Sound" reviewed by Jack Kenny


Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition ...

5

Article: Liner Notes

Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited

Read "Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited" reviewed by Chris May


One way for a musician to conjure rapture is through full-frontal shamanic assault, the sonic equivalent of the Orgasmatron machine that Jane Fonda's character encounters in Roger Vadim's 1968 sci-fi romp Barbarella. Funk is an ideal vehicle. But the sensations produced are superficial and short-lived. A less travelled path instead uses subtlety, understatement and nuance, and ...

33

Article: Album Review

Ed Palermo: Prog vs. Fusion: A War of the Ages

Read "Prog vs. Fusion: A War of the Ages" reviewed by Jack Bowers


Well, if it walks like a big band and talks like a big band...chances are it's a big band, even though, in the case of Ed Palermo's New York-based 18-piece ensemble, it neither walks nor talks much like any other big band on planet earth. On Prog Vs. Fusion, Palermo casts aside many established harmonic principles ...

Article: Live Review

Joe Sanders al Teatro Golden di Palermo

Read "Joe Sanders al Teatro Golden di Palermo" reviewed by Maurizio Zerbo


Joe Sanders Teatro Golden Rassegna “Catania Jazz 2024-2025" Palermo 15 aprile 2025 “Parallels," brano che intitola il recente CD del contrabbassista Joe Sanders, è la chiave di volta per decodificare il concerto inaugurale della sua tournée italiana. Frasi secche, concise ma ricche di contenuto melodico sono il cuore pulsante di ...

11

Article: Interview

Sharel Cassity: In the Spirit

Read "Sharel Cassity: In the Spirit" reviewed by Katchie Cartwright


Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...

8

Article: Live Review

The Bad Plus at Jazz Alley

Read "The Bad Plus at Jazz Alley" reviewed by Paul Rauch


The Bad Plus Jazz Alley Seattle, Washington May 13, 2025 The Bad Plus is a band, and a successful brand in the music world. They have a litany of successful recording and performance credits to their history, achieving amazing success while employing an approach to jazz that is perhaps odd and ...

28

Article: Album Review

Jon Bentley: Go Ahead!

Read "Go Ahead!" reviewed by Jack Bowers


There is really nothing to censure on Vancouver, Canada-based tenor saxophonist Jon Bentley's latest album, Go Ahead! On the other hand, there is nothing of any import that sets it apart from other straight-ahead quartet sessions aside from the fact that Bentley employs an organ and guitar to replace the usual piano and bass.

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Article: Album Review

Dan Moretti and Brazilia: Live at the Pump House/Celebrating Wayne Shorter

Read "Live at the Pump House/Celebrating Wayne Shorter" reviewed by Jack Bowers


While everyone has ideas, some ideas are admittedly better than others. Saxophonist Dan Moretti and Brazilia's notion to salute the music of Wayne Shorter by reshaping and Latinizing eight of the legendary saxophonist's splendid compositions was a good idea. Doubters need only survey the finished product, recorded in front of an enthusiastic audience in December 2024 ...


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