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Orrin Evans' Captain Black Big Band: Mother’s Touch
by Dan Bilawsky
The studio-versus-stage argument will forever rage on in music, but it really shouldn't. Each setting has its advantages and disadvantages. The jazz community has forever favored the stage, as many feel that jazz is meant to be experienced and created in the moment, with artist(s) feeding off the room and creating here-and-gone sounds. That preference is ...
Joshua Redman Quartet at Musical Instrument Museum
by Patricia Myers
Joshua Redman Quartet Musical Instrument Museum Phoenix, Arizona April 3, 2014 Saxophonist Joshua Redman played tribute to past tenor greats, putting his personal imprint on each chart, from Wayne Shorter's “Infant Eyes" to Joe Henderson's “Tetragon" and the sax standard, “Oleo" by Sonny Rollins. Performing with the quartet he formed in ...
Chuck Israels: Tribute to Bill Evans
by Robin Arends
Isn't it nice to meet someone who takes time for a good chat in these hectic times? Especially if this person has a lot to tell, carries the living memory of an important part of jazz history, and is called Chuck Israels?Bassist/arranger/composer Chuck Israels is in expansive form for this interview conducted in a ...
Celebrating Blue Note Records 75th With Delicious Vinyl
by Mark Corroto
Everything old is new again. Except of course for the timeless music of Blue Note Records which celebrated its 75th anniversary this year. The recordings Alfred Lion and Francis Wolff produced starting in 1939 have been collector's items since day one. While much of the label's music has been re-released in digital format, CDs and in ...
Scottish National Jazz Orchestra: American Adventure
by John Kelman
Sometimes an idea seems great on paper, but in execution doesn't exactly work out as planned. Other times, that same idea doesn't just look great, it actually exceeds already high expectations. When saxophonist Tommy Smith--almost single-handedly responsible for rebuilding a modern jazz scene in his home country of Scotland, where he returned after studying at Boston's ...
Brian Blade: Fellowship - More Than Just a Word
by John Kelman
In the 21st century, few drummers have managed Brian Blade's kind of crossover success. Beyond playing in saxophonist Wayne Shorter's quartet for nearly 15 years, beyond being a first-call drummer for producer/singer/songwriter Daniel Lanois--whether it's for his own projects like Black Dub or working with everyone from Bob Dylan to EmmyLou Harris--and beyond also being on-call ...
Brian Blade & the Fellowship Band: Landmarks
by Mark F. Turner
Drummer Brian Blade is a rhythmic force of nature that moves with both fire and finesse. He's contributed to numerous recordings and performances around the globe most notably as a member of the esteemed Wayne Shorter Quartet for over 10 years. Yet at the heart of Blade's own music lies a storyteller delivering tales of poignant ...
Brian Blade & The Fellowship Band: Landmarks
by John Kelman
Four records in 16 years may not be prolific, but clearly Brian Blade and his longstanding Fellowship Band aren't about quantity. While a seemingly scant two years separated the drummer's leader debut (and inspiration for the group name), Fellowship (Blue Note, 1998) from its even more impressive follow-up, Perceptual (Blue Note, 2002), the group's next record, ...
Billy Hart: Welcoming New, Loving Old, Sounds
by R.J. DeLuke
The ubiquitous drummer Billy Hart brings a special energy to the many projects of which he is a part. A band leader, composer and educator, he's been on hundreds of albums. He has taken the stage with countless bands, adding his rhythmic pulse to formations led by a litany of the biggest names in the business. ...
Adam Smale: Out of the Blue
by Jakob Baekgaard
Out of the Blue is the U.S. debut album by Canadian-born guitarist Adam Smale, but Smale hasn't come out of nowhere. In 2000, he released the album Fun City in his home country and received plenty of airplay and critical acclaim and in 2009 he moved to New York and since then he has become a ...
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