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John Escreet: Music for This Age
by R.J. DeLuke
Looking forward--moving forward--is an essential quality to pianist John Escreet, a United Kingdom native who moved to the United States, specifically New York City, in 2008 to pursue an education at the Manhattan School of Music. So is achieving a unique sound and approach, both for artistic and practical reasons. Escreet, age 22 when ...
Jazz Musician of the Day: Wayne Krantz
All About Jazz is celebrating Wayne Krantz's birthday today! Ex-sideman with Steely Dan, Michael Brecker, Billy Cobham and others, has made six albums under his own name since 1991; three on the Enja label ("Signals", “Long to Be Loose" and “2 Drink Minimum"), one on the Alchemy label ("Separate Cages") and, most recently, the self-produced CDs ...
The New Universe Music Festival 2010 - Abstract Logix Live!
by John Kelman
For those who like their jazz hard, loud, filled with killer chops and intricate writing, the 2010 New Universe Music Festival was like manna from heaven. Amidst seven groups including two fusion deities, guitarist John McLaughlin and drummer Lenny White, it was an exhilarating experience for the few hundred people in attendance--some coming from hundreds of ...
John Escreet: The Age We Live In
by Dan Bilawsky
Pianist John Escreet's meteoric rise into the pantheon of forward-thinking jazz composers has everything to do with his understanding of the fast-paced way of life that seems to have overtaken much of society. Everything is absorbed in little bites, quick flashes, and small doses by the younger generations that have been brought up in this short-attention-span ...
David Binney: Underground Tremors
by Ian Patterson
There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...
David Binney: Graylen Epicenter
by Ian Patterson
Undoubtedly one of the great alto saxophonists, David Binney's reputation as an original, exciting composer has also grown steadily since his debut recording, Point Game (Owl Records, 1989). Binney is so prolific a musician that it's sometimes hard to stay abreast of his current projects. However, there is little chance of Graylen Epicenter going unnoticed. With ...
John Escreet: The Age We Live In
by Mark F. Turner
John Escreet just keeps pressing forward with recordings that are not stuck in the quagmire of normalcy. From his auspicious debut, Consequences (Posi-tone, 2008), to his equally ambitious sophomore release, Don't Fight The Inevitable (Mythology Records, 2010), the young pianist has demonstrated imagination and abilities in the same vein as Jason Moran and Craig Taborn. His ...
Ben Tyree/BT3: re:vision
by Ian Patterson
Ben Tyree's compositions on re:vision openly embrace a range of styles in a hard-grooving mixture, where the subtleties of the guitarist's playing are revealed upon repeated listening. Although this is evidently contemporary fusion, Tyree's approach comes from a jazz tradition, stemming from bebop and beyond. It is, however, rock and funk of an altogether more modern ...
David Binney: Graylen Epicenter
by C. Michael Bailey
Alto saxophonist and producer David Binney has become a ubiquitous presence in jazz in the last 20 years fronting his own bands while appearing with Donny McCaslin, Uri Caine, Joel Harrison, Edward Simon and Bobby Previte. He might be considered the logical next step in jazz saxophone after Wayne Shorter and Michael Brecker (Sonny Rollins remains ...
David Binney: Graylen Epicenter
by Dan Bilawsky
19th-century German novelist Berthold Auerbach is long forgotten by the masses in modern day society, but his best-known quote about music, “Music washes away from the soul the dust of everyday life," still lives on but pays no mind to the fact that some of the finest music can be reflective of everyday life.
