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Federica Michisanti: tra ricerca e introspezione
by Daniele Vogrig
La contrabbassista romana Federica Michisanti si è rapidamente affermata come una delle nuove leve meritevoli di grande attenzione. Grazie ad un equilibrio tra immediatezza ed originalità, tra camerismo ed improvvisazione, i suoi progetti sono pieni di spunti fertili e stimolanti. In questa intervista ci parla del suo lavoro mosso tanto da un'ardimentosa ricerca quanto da un'intima ...
Hush Point: Hush Point III
by Angelo Leonardi
Hush Point è un quartetto cooperativo operante a New York che ha pubblicato un primo disco, omonimo, nel 2013 e un secondo l'anno successivo (Blues and Reds Sunnyside). In questo terzo capitolo conferma l'identità stilistica di fondo, che colloca la tensione sperimentale in un quadro espressivo di derivazione West Coast. Da quel composito universo musicale e ...
The Delmark Sound: Jason Stein Quartet and Corey Dennison Band
by C. Michael Bailey
Delmark Records has been a Chicago institution for better than 60 years, most under the watchful eye of founder Bob Koester. The label remains the oldest jazz and blues record label operating in the United States. Like its fabled successor, ECM, the label sports a sonic world all its own. While an odd comparison, any jazz ...
Jason Stein Quartet: Lucille
by Mark Corroto
Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...
Guy Mintus Trio: A Home In Between
by Troy Dostert
Although he's only 25, pianist Guy Mintus has already forged a musical vision well beyond his years. And he's got sensational chops to match it, as A Home In Between makes clear. It's an outstanding piano trio disc, with a compelling hybrid of styles that includes bop, classical and Israeli and Eastern European folk influences. There ...
Tomoko Omura: Post Bop Gypsies
by Dan Bilawsky
Think about your favorite jazz violinist. Now think about what style or sub-category of jazz that person would most easily fall into. Was your answer bebop? Probably not, I would venture to guess. It's not that I know your answer. This isn't a magic trick. For all I know it could've been Stéphane Grappelli, Jenny Scheinman, ...
Art Pepper: Presents “West Coast Sessions” Volumes 3 & 4
by C. Michael Bailey
Today is the day that I finally come clean about Art Pepper and me. In 1984, I was taking a year off between having finished Pharmacy School and beginning a graduate program in Medicinal Chemistry and Drug Design. During this time, I had my yearly eye appointment with my ophthalmologist, one Dr. A. Henry Thomas, with ...
Caroline Davis
by Vincenzo Roggero
After honing her skills on the Chicago scene, Caroline Davis has rapidly established herself as an in-demand musician and educator in New York, where she moved in 2013, and internationally. Her debut album, Live Work & Play, was featured on All About Jazz's best releases. The leader or co-leader of several interesting projects, ranging from her ...
Maryanne DeProphetis: Tell A Star
by Angelo Leonardi
La ricerca vocale minimalista e astratta di Maryanne de Prophetis è troppo sofisticata per ottenere l'attenzione del grande pubblico ma mantiene un'audience affezionata nei club di New York City. Dal 2002 guida il trio col pianista Frank Kimbrough e il trombettista Ron Horton con cui ha pubblicato due dischi, A Glance nel 2005 e Lilacs in ...
Warne Marsh: Oct. 1987
On Sunday, October 18, 1987, Warne Marsh was leading a quartet at a San Francisco concert. The performance was held just two months before the cool-jazz tenor saxophonist would collapse and die of a heart attack on stage at Donte's in North Hollywood at age 60. Backing Marsh in San Francisco was Larry Koonse (g), Seward ...
