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Warne Marsh & Lee Konitz: Two Not One
by Nic Jones
Warne Marsh & Lee Konitz Two Not One Storyville 2009 The cumulative impression of this four-disc reissue of sets tenor saxophonist Warne Marsh and alto saxophonist Lee Konitz recorded in the 1970s is one of exceptional creativity. Both men were and are masters of the art of never ...
Gretchen Parlato: In a Dream
by Ken Dryden
Gretchen Parlato grew up in a musical household, the daughter of bassist/guitarist Dave Parlato (who worked with Don Ellis, Warne Marsh, Gil Melle and Frank Zappa, among others). She won the 2004 Thelonious Monk Jazz Vocal Competition and released her debut CD on her own label the following year; In a Dream is her long awaited ...
Two Not One
By Warne Marsh
Label: Storyville Records
Released: 2009
Track listing: CD1: Background Music; You Don't Know What Love Is; April; Kary's Trance; Subconscious Lee; Back Home; Blues By Lester; You Stepped Out Of A Dream; Lennie Bird. CD2: Just Friends; Little Willie Leaps; Old Folks; Au Privave; Wow; Kary's Trance; Foolin' Myself; Sound-Lee; Chi-Chi; Two Part Invention No.1, Allegro; Two Not One; Darn That Dream. CD3: 317 East 32nd Street; Two Part Invention No.13, Allegro Tranquillo; April; Everything Happens To Me; Blues In G Flat; After You've Gone; The Song Is You; Lennie Bird; It's You Or No One; God Bless The Child; The Way You Look Tonight; Without A Song; Be My Love. CD4: You Don't Know What Love Is; Lennie Bird; Confirmation; I Can't Give You Anything But Love; Without A Song; Just One Of Those Things; All The Things You Are; I Should Care; The More I See You; When You're Smiling; Taking A Chance On Love; Little Willie Leaps; Everytime We Say Goodbye; I Want To Be Happy.
Warne Marsh and Lee Konitz: Two Not One
by Chris Mosey
In 1975, the members of a musical appreciation society called The Danish Jazz Exchange clubbed together to bring their two favorite American improvisers, Warne Marsh and Lee Konitz, to their homeland. They then listened in rapt attention as the saxophonists played a series of concerts at Montmartre, then Copenhagen's premier jazz venue. The shadow of blind ...
Singing Jazz: Judy Niemack Master Class
by Jessica Raimi
"Part of the fun of jazz is like seeing someone ski down a dangerous slope. When you improvise, you have to take a chance. If you fall, you fall," Judy Niemack was telling her master class on September 26. The nine women with her, most of them professional singers, in the studio of Second Floor Music ...
Take Five With Bob Albanese
by AAJ Staff
Meet Bob Albanese: Bob Albanese was born in Newark, N.J. in 1957. Growing up and the Jersey shore, he began practicing the piano at age 8. At age 15, he won top honors in the Garden State Talent Expo which culminated in a solo performance at the Garden State Arts Center in Holmdel, N.J. This was ...
Graham Collier: Directing 14 Jackson Pollocks
by Nic Jones
Graham Collier Directing 14 Jackson Pollocks Jazz Continuum 2009 Reissues can have a telescoping effect on our perception of an artist because they focus on music from the past, which in British bandleader and composer Graham Collier's case can be anything up to 40 or so years old. In the ...
Peter Sommer: Crossroads
by Hrayr Attarian
It takes self-confidence and talent for a new musician to lock horns with a more experienced practitioner of the same instrument, and tenor saxophonist Peter Sommer has plenty of both. His only other recording was a collaborative effort with pianist Art Lande, and this second recording is his first as a leader. On ...
Samo Salamon & Aljosa Jeric Quartet: Mamasaal feat. Mark Turner
by Nic Jones
The modern mainstream doesn't often get as rarefied as this, and that very point is one of this quartet's greatest strengths. Guitarist Samo Salamon's playing is rhythmically ambiguous with a happily singular mellowness, and it's abundantly obvious that tenor saxophonist Mark Turner)), at the worst of times one of the most singular voices out there, finds ...
Anthony Braxton: The Complete Arista Recordings
by Clifford Allen
Anthony BraxtonThe Complete Arista RecordingsMosaic2008 Few artists in the realm of improvised music can claim as important or varied a series of recordings as reedman-composer Anthony Braxton did during his contract to Arista Records in the 1970s. With the financial backing provided by what was then an upstart ...
