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Rich Halley 3: The Literature
by Karl Ackermann
A native of Oregon, saxophonist Rich Halley spent enough time in Chicago to absorb the ethos of the AACM and intermingle the influences of Thelonius Monk, Charles Mingus, and Ornette Coleman, to name a few of his inspirations. Over his thirty-five year recording career he has worked with Michael Bisio, Bobby Bradford, Nels Cline, Vinny Golia, ...
Rich Halley 3: The Literature
by Dan McClenaghan
After spending a few formative musical years in Chicago--where the winds blow the blues around--saxophonist Rich Halley made his way back to Portland, Oregon. Halley's recording career made its leap to the top shelf when he joined forces with drummer/record label honcho Dave Storrs at Louie Records. Four excellent recordings under Halley's name saw release on ...
Vinny Golia Sextet: Trajectory
by Mark Corroto
Walking in the canyons of a big city like New York or in the old-growth forests of California Redwoods, it is almost impossible to acquire perspective. One cannot stand back far enough to take in the enormity of the scene. It is best to embrace the hugeness and enjoy the experience. The same can be said ...
Alberto Pinton: la nostra parte del puzzle
by Marco Colonna
Scrivere di Alberto Pinton è una delle occasioni ghiotte che speravo di avere collaborando occasionalmente con la divulgazione “giornalistica" del jazz. Sapendo bene di non essere un tecnico della scrittura, ma un semplice veneratore del linguaggio, mi avvicino all'impresa con le cuffie, chiudendo il mondo fuori per la durata di un disco. Questa ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
Vinny Golia Wind Quartet: Live At The Century City Playhouse – Los Angeles, 1979
by Mark Corroto
If you were born yesterday, you can be forgiven for believing the West Coast jazz scene begins with Kamasi Washington. As with most things related to jazz, New York is the focus, with slight consideration of Chicago. The rich history of Los Angeles' creative community, including the early Ornette Coleman ensembles, Dexter Gordon, Horace Tapscott, Frank ...
Michael Vlatkovich: Mortality & Myrnofant's Kiss
by Angelo Leonardi
Michael Vlatkovich è un trombonista e compositore di St. Louis attivo dal 1973 a Los Angeles, parte di quella nicchia sperimentale presente dagli anni cinquanta nella West Coast. È membro regolare del Vinny Golia Large Ensemble e del Rob Blakeslee Quartet ma collabora anche con artisti di varie tendenze espressive: Bobby Bradford e Gerry Hemingway ma ...
Leap of Faith: Domains
by Karl Ackermann
In 2009, David Peck's (PEK) Leap of Faith group reconvened after a lengthy hiatus to become a prolific producer of music that is always far outside the box. His Evil Clown label has flourished with a company of like-minded artists working in a collective environment. Leap of Faith has performed and recorded in formations ranging from ...
Thollem | Mazurek: Blind Curves and Box Canyons
by Karl Ackermann
In a remote outpost of creativity, the little town of Marfa sits on less than two square miles, a one-hour drive from the Mexican border. With a population of about two-thousand, it may, nevertheless, be the Brooklyn of the West Texas desert plateau. From its beginnings as an artist colony (of sorts), Marfa has been developing ...
Ross Hammond: in solo e in duo con Vinny Golia
by Mario Calvitti
Dopo diversi anni di attività svolta principalmente nell'ambito del jazz e della musica improvvisata, il chitarrista Ross Hammond ha recentemente intrapreso una nuova direzione musicale abbandonando temporaneamente la chitarra elettrica in favore dello strumento acustico, in versione 12 corde o resofonica, e ha inciso una serie di album per chitarra acustica tra i più belli degli ...
