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Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Results for pages tagged "Victor Feldman"...
Victor Feldman
Born:
Victor Feldman was born in Edgware, Middlesex in 1934. He caused a sensation as a musical prodigy when he was "discovered" at age 7. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented son. His first professional appearance was playing drums at No 1 Rhythm Club as a member of the Feldman Trio with brothers Robert on clarinet and Monty on piano accordion. In 1944 he was featured at a concert with Glenn Miller's AAAF band, featured inevitably as "Kid Krupa". Carlo Krahmer encouraged Feldman to play the vibes which he did first in the Ralph Sharon Sextet and later in the Roy Fox band
Lolly Allen: Coming Home
by Jack Bowers
There was a time, and it wasn't that long ago, when women in jazz—apart from singers and the occasional pianist—were seen by many observers as unsolicited interlopers whose impact in what was essentially a male bastion could be no more than minimal at best. Needless to say that is no longer the case, as women's voices ...
Wycliffe Gordon & Vincent Gardner At The Jazz Corner
by Martin McFie
Wycliffe Gordon & Vincent Gardner The Jazz Corner Hilton Head Island, SC November 8-9, 2019 Wycliffe “Pinecone" Gordon is an Armstrong-styled horn player and has won a Louie award to prove it. He displayed that same laid-back behind the beat timing as Louis Armstrong, which belied the clarity of phrasing ...
Richie Cole: Cannonball
by Rob Rosenblum
Richie Cole and Julian “Cannonball" Adderley. It's as natural as soap and water. In an interview on this site, Cole proclaimed that the famed jazz musician was his favorite altoist. Like Adderley, Cole can cover a wide range of music--from the hardest of hard bop to commercial ditties. And also like Adderley, for Cole the audience ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Joni Mitchell's Amelia: A Flight through Love
by Matt Hooke
On its surface, it looks plain. In the annals of popular song, there are many love songs dedicated to a particular girl, Van Morrisons' “Gloria," Rod Stewarts' “Maggie May," Eric Claptons' “Layla," but Joni Mitchell's ode to Amelia Earhart is different. The lost aviator is not the target of Michell's affections, but her therapist. ...
Emmet Cohen: Master Legacy Series, Volume 2
by Mike Jurkovic
Let's not mince words. Everything you want from a great jazz trio recording -electricity, pacing, innovation, dynamic virtuosity and interplay, flights of fancy and passion -are found in great abundance on Emmet Cohen's newest Master Legacy Series Volume 2. Recorded live June, 2017 in Vancouver, B.C., pianist Cohen, featured elder and bassist extraordinaire Ron ...
Warm Climates, Cool Sounds: Southern Hemispheric Survey
by Chris M. Slawecki
Afro-Cuban All Stars Absolutely Live II DM Ahora! Productions 2017 You can find many groups who call themselves “Afro-Cuban All Stars." But few have the pedigree of this ensemble led by vocalist Juan de Marcos, co-architect of the legendary Cuban roots Buena Vista Social Club sessions (1997, Nonesuch/Elektra) ...
