Results for "Upright Bass"

Dylan Taylor

Born: March 29

My first instrument was cello, then electric bass. When I found Jazz the upright bass found me. I have spent most of my life in Philadelphia except for a few years studying with John Patittucci in New York. Also studied with Buster Williams, Dennis Sandole and Al Stauffer. Played for many years and recorded with Ken Ulansey and Heath Allen, also with the Tom Lawton trio at the four seasons Hotel and Tony Williams Quartet at the Ritz Carlton. Was a long time member of Bobby Zankel's big band, made two records with them and a trio record with Edgar Bateman. I have also recorded with Larry Coryell and Mike Clark, Butch Ballard and Sam Dockery, Khan Jamal, and Kelly Meashey among others.

Nicholas Krolak

Bassist Nicholas Krolak is a young veteran of the Philadelphia jazz scene. He has spent the last decade working as a side-man, experiencing new styles, and studying with the masters. Now, he has taken all he has learned and is applying it to his own group. Tracing the lineage of bebop into the contemporary, his compositions celebrate the city and honor nature. He is also the host of the Voice = Power Podcast in which he interviews visionaries of the Jazz world, pursuing the question: How does an artist find their voice?

Ademar

Born in 1948 in Santa Catarina, Brasil. He grew up in Curitiba, Parana, Brasil. Ademar Fonseca is a highly talented brazilian musician with uncommon knowledge of music gained since early age. At age eight he acquired his first acoustic guitar. At age 13 he put together his first band. It was a duo with his brother Ademir on vocal and percussion. As his style developed he continued to perform in bars, musical shows, radio stations, theaters, concert halls, museums and in the most famous carnival in the world. His talent with a variety of musical instruments: upright bass, eletric bass guitar, acoustic guitar, acoustic guitar and vocal, only added to his appeal

Oliver Watkinson

Oliver Watkinson - Electric & Upright Bass.  Born in Brunswick Maine, Oliver began studying music at the age of five. He attended college in Boston at the New England Conservatory, where he had the opportunity to study upright jazz bass and perform with greats such as Lee Konitz, Dave Holland, Jason Moran, Cecil McBee, and many more. In 2014, Oliver moved to New Orleans and began performing with BILLIE DAVIES in 2015, Gandhi Castle, Laelume, and various street bands. He has taught and performed all over the United States, as well as Central America and Canada.

Sigmar Matthíasson

Born: April 24, 1987

Sigmar Matthiasson is a man of many names but the one most fitting is the Bass Viking. His sound is best described as a magnificent blend of hardcore groove and colorful melodies with influences ranging from Megadeth and Led Zeppelin to Jaco Pastorius and Ray Brown. Born in Reykjavik, Iceland, Sigmar started playing bass around the age of 16. He was first introduced to jazz when studying at the F.I.H. School of Music where he graduated from in 2012. Later on Sigmar furthered his jazz studies at The New School for Jazz and Contemporary Music in New York, where he studied with Jeff Carney, Reggie Workman and Hal Galper among others

Benjamin Lee

Born: 1990

It all started with a music teacher who needed to add some low end to her third grade orchestra. She picked the tallest kid in the room, who had his big hands wrapped around a cello at the time, and said “Hey! Take a look here, come play this upright bass!” That kid was Benjamin Lee, and once he heard the resonant tones of the largest instrument he had ever seen, he was hooked. Born in Los Angeles, California, Ben grew up in an incredibly diverse soundscape. His first library of music was his father’s record collection, which melded Laurel Canyon sounds with classic rock, folk, jazz, soul, and spirituals

Doug Walker

Born: December 26, 1979

Versatile left-handed bassist and jazz composer Doug Walker has been working the San Diego music scene for over two decades, having quickly become a mainstay with many of the city’s celebrated artists from a wide range of genres. While accompanying the various sub-styles of jazz, soul, folk, country, and rock, his formal training merges with his stylistic faithfulness––a rare combination appreciated by fellow musicians and perceptive audiences. As a composer, he seizes the opportunity to borrow from these styles, and all available sources, cultivating an engagingly idiosyncratic concept of modern instrumental jazz.

Solon McDade

Solon McDade grew up in a musical environment constantly surrounded by music and musicians. He began playing the washtub bass as soon as he was big enough to pick it up, and later moved on to the larger upright bass. He and his siblings were trained as musicians from a young age and exposed to their parents’ extensive and eclectic record collection. They were soon playing alongside their parents in the McDade Family Band, a group that toured Canada with their own brand of Canadiana folk music at festivals and theatres throughout the 1980s and 1990s. These gigs and particularly the late-night jam sessions at folk festivals left a lasting impression on Solon