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Frank Kimbrough: Quartet
by Dan Bilawsky
The majority of pianist Frank Kimbrough's albums have focused on the piano trio format, but he's certainly willing to try other things; he made that clear by recording in a duo with vibraphonist Joe Locke on more than one occasion, putting together a bass-less quartet for Noumena (Soul Note, 2000), and going it alone on Air ...
Charles Lloyd: Manhattan Stories
by Dan Bilawsky
Manhattan Stories is a trip back in time, a journey to a long gone and long-missed era. It's a window into the great Charles Lloyd's art at a period of transition. The shows presented on this beautifully packaged two-disc set--one recorded at the infamous Slugs' Saloon in the summer of 1965, the other recorded at Judson ...
Steve Heckman Quintet: Search for Peace
by Jack Bowers
Steve Heckman says he was inspired to play the tenor saxophone after hearing John Coltrane, especially Coltrane's A Love Supreme. Luckily, Heckman did not follow his mentor completely off the deep end but remained instead true to his bop-bred roots while developing a singular voice of his own on the tenor. On Search for Peace (a ...
Horace Tapscott: The Tapscott Sessions, Volumes 1-8
by Frank Rubolino
Horace Tapscott began his musical career as a trombonist, and during the early part of the 1950s played in the Gerald Wilson big band. It wasn't until his US Army tour of duty in the late 1950s that he studied piano. He subsequently gave up the trombone due to an automobile accident while on tour with ...
Kiki Ebsen Displays Brains, Courage And A Whole Lot Of Heart Singing Jazz To Honor Her Famous Father
“Scarecrow Sessions,” the critically-lauded homage to Buddy Ebsen, is garnering radio-play led by the single, “If I Only Had A Brain.” Calabasas, California (1 October 2014): Reluctant no more, Kiki Ebsen clicked the heels of her ruby red shoes three times and set off on the yellow brick road armed with the Great American songbook, Broadway ...
Adam Meckler Orchestra: When The Clouds Look Like This
by Dan Bilawsky
The image that adorns the cover of When The Clouds Look Like This--three weathered valves rising from the mist, a finger button inexplicably missing from the middle valve--is something of a mystery. Is it a riddle? A metaphor of some sort? Or is it simply an image that appealed to these musicians? Only those involved with ...
Philip Corner: Satie Slowly
by C. Michael Bailey
Pianist Philip Corner slows down Erik Satie and shows where Philip Glass, Terry Riley and Steve Reich came from. Satie Slowly is exactly that: the piano music of Satie vastly slowed down compared to most contemporary performances and recordings. The lengthy subtitle to the release says it all: Avoid All Sacrilegious Exaltation." The large insert, assembled ...
Ray Charles: Genius Love Company – 10th Anniversary Deluxe Edition
by C. Michael Bailey
"The way these days just rip along, too fast to last, too vast, too strong..." --Jackson Browne The final recording of Ray Charles, Genius Loves Company, enjoys its tenth anniversary. It is striking to consider that it has been over ten years since the death of Ray Charles, one of the most imposing ...
Tyshawn Sorey: Alloy
by Karl Ackermann
From an early age composer/drummer/educator Tyshawn Sorey has found creative outlets in not just music but in painting and literature as well. Never one to compartmentalize his own imagination, he has enthusiastically explored blues, gospel, classical and music for dance so it seems quite natural that his current music defies categories. Whether listening or writing, he ...
Darcy James Argue's Secret Society: Brooklyn Babylon
by Luca Canini
Che Brooklyn sia il cuore musicale della New York del terzo millennio è ormai un dato di fatto. Le spietate leggi del mercato immobiliare, da una decina d'anni o giù di lì, hanno costretto improvvisatori e jazzisti ad attraversare l'East River, in fuga da una Manhattan sempre più cara. Brooklyn nuovo rifugio e nuova frontiera, dunque, ...

