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Interview: Elliot Lawrence
I've long loved Elliot Lawrence's music. His big band recordings of the late 1940s and 1950s had superb swing and sensitivity, especially on Gerry Mulligan arrangements. The band was tight, well rehearsed and always loaded with the best musicians in the business. After my last post on Elliot back in August, singer Marlene VerPlanck sent me ...
Carlos Henriquez: The Bronx Pyramid
by James Nadal
A common attribute or quality that Latin musicians have is that they are innately connected and tuned into their cultural roots. As in the case of Carlos Henriquez, who holds the bass chair in the prestigious Jazz at Lincoln Center Orchestra. Though he performs straight ahead mainstream jazz at a high level with that collective, on ...
Nate Wooley: (Dance to) the Early Music
by Luca Canini
Marzo di due anni fa. Nate Wooley e il suo quintetto sul palco dell'Auditorium di Piazza della Libertà, ospiti (assai graditi) di Bergamo Jazz. Ultimi scampoli di concerto, tempo di bis: Wooley posa la tromba e annuncia: «Prima di salutarvi eseguiremo un paio di composizioni di Wynton Marsalis». Incredulità in sala. «Che ha detto? Marsalis?», chiede ...
Bob DeVos: Six String Solos
by David A. Orthmann
It will come as no surprise to anyone familiar with Bob DeVos' work as a leader that, in the absence of a band, the guitarist's virtues remain intact and shine even brighter. One goes to DeVos' gigs--mostly in and around northern New Jersey, usually in trio and quartet formats--with high expectations. Encompassing the simultaneous employment of ...
Stan Getz: Spring 1976
by C. Michael Bailey
The musical specter of John Coltrane is so massive and dense that its creative gravity often does not allow even a whiff of his contemporary saxophone players. While certainly acknowledged as an innovator in his own right, saxophonist Stan Getz rarely gets the attention he deserves as often as many of his contemporaries. That is what ...
ECM Records Releases Michael Formanek's "The Distance"
Michael Formanek Ensemble Kolossus is: Loren Stillman (alto saxophone); Oscar Noriega (alto sax, clarinet, bass clarinet); Chris Speed (tenor sax, clarinet); Brian Settles (tenor sax, flute); Tim Berne (baritone sax); Dave Ballou, Ralph Alessi, Shane Endsley (trumpets); Kirk Knuffke (cornet); Alan Ferber, Jacob Garchik, Ben Gerstein (trombones); Jeff Nelson (bass trombone, contrabass trombone); Patricia Brennan (Marimba), ...
Ruby Lee's Dishes up Blues, Jazz and Soul Food
by Gloria Krolak
Three-year-old Ruby Lee's, on the quieter north end of Hilton Head Island, SC, serves up the blues, jazz and soul food. That mix helps set the venue apart from more than 300 restaurants vying for the patronage of the resort town's 39,000 residents and some 2.5 million annual visitors. Proud matriarch and head chef ...
At Mara's... Sweet, Savory and Seasoned with Jazz
by Gloria Krolak
On a Friday night at Mara's Café and Bakery in Berkeley Heights, you can satisfy several cravings at once: Answer the dinner bell, soothe a sweet tooth and hear eight New Jersey locals wail at some not-so-standard jazz tunes. The octet is Jazz Lab 6+2, which began as a sextet, then added two more players. These ...
Larry Brown Jr.: The Music and The Moment
by Hrayr Attarian
With his second release as a leader The Music and the Moment guitarist Larry Brown Jr. deviates stylistically from his debut, the delightful and stimulating There Can Only Be One (Self Produced, 2011). While the previous record was firmly rooted in the hard bop mainstream spiced by various influences, the current one is an amalgam of ...
Marina Crouse At The Sound Room
by Walter Atkins
Marina Crouse The Sound Room First Time Out Oakland, CA January 30, 2016 Talented East Bay vocalist Marina Crouse and her superb band lit up the intimate Sound Room with her distinctive brand of rhythm and blues on this chilly Saturday evening. The night was filled with a soulful blend ...
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