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Mark Winkler: The Company I Keep
by C. Michael Bailey
The utility of music, at its very core, is entertainment. It is not all about dissonance and consonance, tonal conflict and resolution; heart and intellect, pathos and ethos. Somewhere in everything music has to offer, there must be a smile. It is in music's smile that vocalist Mark Winkler exists. An elegant West Coast mainstay, vocalist/lyricist/composer ...
Glenn Zaleski Trio at Chris' Jazz Cafe
by Geno Thackara
Glenn Zaleski TrioChris' Jazz CafePhiladelphia, PAMay 3, 2017 It might not seem all that difficult to get together with friends in your own neighborhood, but sometimes it's more tricky than you'd think. Glenn Zaleski has made his previous two records as a leader in the span of two years, both with ...
Omar Sosa Residency at SFJAZZ
by Harry S. Pariser
Omar Sosa Residency SFJAZZ Spring Season San Francisco, CA April 21-23, 2017 “You don't really listen to an Omar Sosa concert so much as experience it. The Cuban-born pianist's overall demeanor exudes a sense of calm and deep reflection, while a spiritual connection to music and his ancestors comes ...
Organissimo: B3tles: A Soulful Tribute To The Fab Four
by C. Andrew Hovan
When one thinks of jazz cities responsible for contributing some of the music's most important artists, Detroit is always a name that pops up at the top of the list. A short list of icons who hail from the city would have to include Ron Carter, the Jones Brothers, James Carter, Pepper Adams, Louis Hayes, and ...
Art Pepper: The Art Pepper Quartet
by C. Michael Bailey
Omnivore Records has struck up a dandy relationship with Laurie Pepper and the Art Pepper Estate, resulting in an impressive discography, that when coupled with Laurie Pepper's own Widow's Taste Records, has provided fans many hours of previously unreleased music. First released by the label was the 2015 Neon Art Series: Volume 1, Volume 2, and ...
Ella Gahnt: Third Stage of Elegance
by C. Michael Bailey
Modern composers of jazz vocal pieces have much to contend with: first, the Great American Song Book. Jazz was largely developed from learned reinterpretation of Tin Pan Alley standards composed as showtunes in the 1930s through '50s. That is a dearth of music already existing that anything newly composed is compared against. So, hats off to ...
I Scare Myself by Dan Hicks
by Chris Mosey
I Scare Myself Dan Hicks 237 Pages ISBN: 978-1-911036-23-4 Jawbone Books 2017 The late Dan Hicks is described by Kristine McKenna, editor of this rambling but curiously engaging autobiography, as “a musical genius." He wasn't, although he did write some amusing songs and played competent guitar. This and a ...
Steve Winwood at the Space at Westbury
by Mike Perciaccante
Steve Winwood The Space at Westbury Westbury, NY April 20, 2017 Fifty-one years after a teenaged Steve Winwood sang “Gimme Some Lovin'" with the Spencer Davis Group, the rock, pop and rhythm and blues legend can still nail the vocal and hit all the notes on the '60s anthem. On ...
Monette Sudler Sextet: The Philadelphia Realbook Project
by Victor L. Schermer
Monnette Sudler Sextet Terra Hall, University of the Arts Jazz Bridge: The Philadelphia Real Book Project Philadelphia, PA April 28, 2017 Monnette Sudler is a lauded Philadelphia-based guitarist with all the technique and finesse you could ask for, but she also has a way of moving around the strings ...
Karuna at LaFontsee Gallery
by John Ephland
Karuna LaFontsee Gallery Grand Rapids, Michigan April 23, 2017 Flute loops were the first sounds heard. Part of a music arsenal, the inconspicuous electronics served to heighten what was a vast array of traditional percussion instruments on hand. The duet Karuna was ending their spring 2017 Midwest tour before a modestly ...
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