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2013 Thelonious Monk Institute Competition
by Franz A. Matzner
The saxophone is the most iconic of jazz instruments. Its image is all that is needed to invoke the music's essence, its history intimately entangled with the cultural arc of American music and urban culture. Its masters are the most recognized outside jazz circles and its sound most closely identified with the art form. To many, ...
Larry McKenna: From All Sides
by Victor L. Schermer
Larry McKenna's tenor saxophone playing is addictive. It's like driving a Maserati: you're probably going to want to take it on the road again and again, because it is so elegant and finely engineered. A product of the late swing band era (he did a turn with Woody Herman), McKenna has kept rigorously on a course ...
Tim Berne's Snakeoil: Shadow Man
by John Kelman
When Tim Berne released his ECM debut, Snakeoil in 2012, it quickly garnered some of the best reviews of the saxophonist/composer's career, ending up on a number of year-end best of lists. And why not? With a group already together for a couple years (as Los Totopos), Snakeoil represented a major step forward for Berne, both ...
Monterey Jazz Festival 2013
by Larry Taylor
Monterey Jazz Festival Monterey, California September 28-30, 2013 Like a lavish banquet, one can't indulge in the whole spread, but only savor favorites. That was the case with the lineup at the 56th annual Monterey Jazz Festival which ran at the Monterey Fairgrounds in Northern California. Topping the ...
Patti Larkin: Still Green
by Eyal Hareuveni
Singer-songwriter Patty Larkin is one of the best of her kind. She belongs to a league of artists who redefined the poetic and instrumental boundaries of the folk singer-songwriter genre such as Greg Brown, Bruce Cockburn and Richard Thompson. She is a wise lyricist and inventive guitarist who can encapsulate a profound emotional experience in few ...
Tom Dempsey: Saucy
by Glenn Astarita
Highly-regarded New York City session guitarist Tom Dempsey's sixth solo endeavor pays homage to the classic organ combo format, topped with a piquant sense of swing. Tuneful and capacious, the guitarist's dark- toned sound nicely parallels with organist Ron Oswanski's warm phrasings, synchronous progressions and sleek solos. Dempsey's Wes Montgomery-like chord solos and soul-jazz riffs are ...
Slobber Pup: Black Aces
by Chris M. Slawecki
Keyboardist Jamie Saft, guitarist Joe Morris, bassist Trevor Dunn and drummer Balazs Pandi bring merciless new meaning to the phrase heavy rock quartet." Saft and Morris first met at the New England Conservatory twenty years ago; Saft and Pani are bandmates in Metallic Taste of Blood; and Saft has worked with Dunn on several projects led ...
Brian Adler's Helium Music Project Album Now Available
Brian Adler's Helium Music Project, is a global collaboration that transcends the boundaries of jazz and world music to create a rich new music and format for musical output. A delightfully uplifting representation of [Adler's] musical philosophy," says Alex Ariff of All About Jazz. The group highlights Adler's love for rhythmic intricacy, texture, and soulful melodies. ...
Book Release: A World Of Percussion: Ten Etudes Inspired By Rhythms From Across The Globe
Circavision Productions Presents the new book: A World of Percussion: Ten études inspired by rhythms from across the globe Available October 1st, 2013 The book, and accompanying CD, encourage its participants to explore sound and rhythm through various percussion instruments and their bodies, while learning about rhythms from around the world. It includes ten colorful percussion ...
Saxophonist Steve Treseler Releases Center Song Featuring Ingrid Jensen
Saxophonist Steve Treseler's new release, Center Song, is a portrait of the Pacific Northwest cultural scene. Joined by B.C.-born, New York-based trumpeter Ingrid Jensen, Center Song reunites the rhythm section of Treseler's 2008 album, Resonance — pianist Dawn Clement, guitarist Chris Spencer, bassists Jon Hamar (on double bass) and Dean Schmidt (electric) and drummer Steve Korn ...

