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Jane Ira Bloom: Sixteen Sunsets
by Dan McClenaghan
Sidney Bechet pioneered the use of the soprano saxophone in jazz in the early 20s. John Coltrane brought that “straight horn" out of a relative dormancy of use in 1959 with his anthem-like take on Rodgers and Hammerstein's “My Favorite Things" on his Atlantic Records album of the same name. Steve Lacy took the soprano “out ...
Take Five With Joseph Daley
by AAJ Staff
Meet Joseph Daley: After nearly 40 years of recognition as one of the consummate sidemen on the adventurous music scene with remarkable artists like Sam Rivers, Carla Bley, Gil Evans, Charlie Haden, Taj Mahal, and many more, Joseph Daley stunned musicians and fans alike with his brilliant CD, The Seven Deadly Sins (Jaro, 2010). The ...
Myra Melford: Life Carries Me This Way
by Mark Corroto
All great artists turn their listeners into voyeurs, allowing them an intimate glimpse into their private thoughts. For pianist Myra Melford the invitation has been a long time coming. After twenty-plus years of recording, Life Carries Me This Way is her first solo session. She has drawn praise for her recent work in the ...
Take Five With Igor Bezget
by AAJ Staff
Meet Igor Bezget: Igot Bezget is one of the most influential guitarist, composers, and musicians in his field. Born in Maribor, Slovenia, Bezget started to play guitar in his late teenage years as a self- taught musician in rock bands. Later on, through listening to Miles Davis records he became interested in jazz and studied ...
Giulia Barba: The Angry St. Bernard
by Mark Corroto
Listening to The Angry St. Bernard by musician and composer Giulia Barba, it is surprising to learn that it is her debut recording. A baritone saxophonist (maybe the Italian equivalent to Claire Daly, she displays a jazz veteran's maturity in both her compositions and playing. The eight tracks recorded here deliver a diverse sound ...
TOTEM>: Voices of Grain
by Glenn Astarita
The trio returns with a vengeance on its second album, where they delve into a boundary-less avant-garde foray, proffering an extension of sorts, to Solar Forge (ESP, 2008). And the musicians hop right into the thick of things on the opener “Genosong," where electric guitarist Bruce Eisenbeil saws, slices, and seemingly hacks his way through a ...
Keefe Jackson’s Likely So: A Round Goal
by Hrayr Attarian
Chicago based multi-instrumentalist and composer Keefe Jackson's intriguingly innovative live album A Round Goal is a modern choral symphony of sorts. Recorded during the Jazzwerkstatt festival in Berne Switzerland on February 20, 2013 Jackson utilizes, in lieu of human voices, woodwinds of various ranges creating brilliantly dramatic music. Western classical influences are apparent, throughout. ...
Sly and the Family Stone: Higher
by Carlo Wolff
Sylvester Stewart is a maddening guy. Both a cock of the walk and abjectly self-destructive, the man better known as Sly Stone, leader of the Family Stone, psychedelicized funk better, or at least more notoriously, than anyone else as the 1960s collapsed into the 1970s. In albums like Dance to the Music (1968), the 1969 breakout ...
Tony Succar y Mixtura: De One Sessions Live, Volume 1
by Dave Wayne
Born in Peru and raised in Miami, Tony Succar has been steeped in the sounds and traditions of Latin music practically since birth. Still in his 20s and comfortably ensconced as an Artist-in-Residence at Florida International University, the versatile percussionist / pianist has worked with worked with the likes of Arturo Sandoval, Néstor Torres, Ed Calle, ...
The Clash: Hits Back
by Phil Barnes
Nearly eleven years have passed since Joe Strummer's untimely death on 22 December 2002, and yet the music he, Mick Jones, Paul Simenon and Topper Headon made is still held in great affection by fans across the globe. Part of the reason for this longevity is the sheer quality and breadth of inspiration of ...
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