Home » Search Center » Results: Tzadik
Results for "Tzadik"
Anthony Coleman: Shmutsige Magnaten: Coleman Plays Gebirtig
by Kurt Gottschalk
Mordechai Gebirtig was, as Anthony Coleman explained at a performance of the composer's work at The Stone in February, a writer of Polish folk songs evoking the hardships of Jewish life in the '30s and '40s. More a poet than a musician, Gebirtig would often sing or hum melodies to others to score. Coleman has given ...
Joseph Holbrooke Trio: The Moat Recordings
by Alex T.
The Moat Recordings fills in a gap in the story of free improvised music. Bassist Gavin Bryars, drummer Tony Oxley and guitarist Derek Bailey (who passed away in December 2005) met in Sheffield, England in the mid-'60s and started out stretching the limits of modal jazz toward freer forms of musical expression, increasingly moving away from ...
Bobby Previte: The Coalition of the Willing
by Donald Elfman
Bobby Previte's musical evolution has been most fascinating. The records he's made for a variety of labels show an astonishing scope but, amazingly, there has never really been a disconnect, even now playing electronic" drums or instrumental rock music. Color and expression have always been paramount in Previte's output and his palette has always been directed ...
Paul Shapiro: It's in the Twilight
by Sean Patrick Fitzell
Day's slide into night, the work week's conclusion, and prayers of the Jewish Shabbat inspired saxophonist Paul Shapiro's compositions and arrangements for It's in the Twilight. It is celebratory music, imbued with optimism for change arising at these temporal transformations, a musical salve for these troubled times. Inviting melodic heads develop from Shapiro, combining with fellow ...
Bobby Previte: The Coalition of the Willing
by Troy Collins
It is often said that in youth one is more idealistic and liberal, and with age comes pragmatism and social conservatism. Well, someone ought to tell Bobby Previte, because it seems he missed the memo. A downtown scene luminary, composer and percussionist extraordinaire, Previte pushes ever further a field with The Coalition of the Willing. When ...
Rashanim: Masada Anniversary Edition Vol. 5: Masada Rock
by Renato Wardle
John Zorn's groundbreaking Masada outfits have been successfully expanding their own unique realm of klezmer-infused jazz and improvisational music for more than ten years. To celebrate, Zorn's own Tzadik label has released five tenth anniversary CDs featuring an array of musical cohorts performing their own arrangements of selections from his Masada songbook. Masada Rock documents Rashanim, ...
Paul Shapiro: It's In The Twilight
by Nic Jones
If this is an example of radical Jewish culture, as Tzadik bills it, then a whole lot of Gentiles would be doing themselves an enormous favour if they tapped into it. Listeners of all cultures from around the world are familiar with the idea of the keeper," meaning an item that will find a permanent home ...
Derek Bailey: Carpal Tunnel
by Kurt Gottschalk
In 1977, suffering complications from a stroke that paralyzed the left side of his body, Rahsaan Roland Kirk made his way to Regent Sound Studios in New York to record what would become his final album, Boogie Woogie String Along For Real. Having long since devised a way to play saxophone with one hand (the technique ...
Paul Shapiro: It's In The Twilight
by Jerry D'Souza
The blessings of the sabbath were clearly upon Paul Shapiro when he wrote the music for and recorded this album. On Midnight Minyan, his first record as a leader, he dwelt on Saturday mornings and the Jewish tradition. This time he turns back the clock to Friday evenings and the glow of twilight that the sabbath ...
Paul Shapiro: It's in the Twilight
by John Kelman
Reconvening the same group that made his debut, Midnight Minyan (Tzadik, 2003), so engaging, tenor saxophonist Paul Shapiro's new release is an even more exuberant affair. Combining a wealth of musical styles with the distinctive Jewish flavor that has made John Zorn's Radical Jewish Culture series so unpredictable, Shapiro proves that twilight needn't be a time ...


