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Colin Cannon: Intermission (Farewell)
by Karl Ackermann
Reading the spare (and tongue-in-cheek) liner notes of guitarist/composer Colin Cannon's Intermission (Farewell), one could easily get the idea that Cannon wrote, arranged and produced the album for a relatively small inner circle of friends, family and associates. Referring to that cohort, he writes, ..."and besides you people, I don't particular care who else listens to ...
Marc Copland: Zenith
by Dan McClenaghan
After releasing a series of excellent but under-recognized CDs on various small record labels--starting in the mid-1980s--pianist Marc Copland rose in prominence in 2006 when he took up residence on Germany's Pirouet Records. The highlight of his Pirouet days was a set of trio discs wrapped in a marketing package dubbed “The New York Trio Recordings." ...
Bob Wijnen: NYC Unforeseen
by Dan Bilawsky
The first minute of Dutch pianist Bob Wijnen's debut album is very telling, but not because of what he does. Rather, it's what Wijnen doesn't do that sets these opening moments apart: Instead of announcing his arrival by hitting on all cylinders and showcasing himself, he hands this prime piece of real estate to drummer Billy ...
David Gilmore: Energies of Change
by Dave Wayne
David Gilmore's career started off with a bang. He worked with Steve Coleman through the 1990s, appearing on at least nine recordings either led, or instigated, by the renowned saxophonist, composer, bandleader, and recent MacArthur Award recipient. Since emerging from Coleman's M-BASE fold, Gilmore has worked with a stunning variety of artists both inside and outside ...
Marnix Busstra: Firm Fragile Fun
by Dave Wayne
Let's get one thing out of the way: guitarist and leader of the eminently capable quartet featured on Firm Fragile Fun Marnix Busstra sounds a great deal like John Scofield. Busstra's tone, phrasing, attack, and even his choice of guitar parallel those of the celebrated solo artist and ex-Miles Davis plectrist. When he digs into the ...
Tyler Kaneshiro: Amber of the Moment
by Dave Wayne
First impressions mean everything. Amber of the Moment, trumpeter / composer Tyler Kaneshiro's debut album opens with a cloying cover of Bjork's “Who Is It." While nicely rendered, and suitably arranged, Kaneshiro's version plays it safe, replacing all of the oddness of the original with slick nu-jazz gloss. The cover of Bon Iver's “Holocene" fares better, ...
Jose Gurria's Gurrisonic Orchestra: Three Kids Music
by Dave Wayne
Accompanied by a richly illustrated, full-color 46-page booklet (with notes by Jeff Tamarkin, the Associate Editor of JazzTimes Magazine) and packaged in a lush trifold paper sleeve, Three Kids Music by José Gurría and his 21-piece Gurrisonic Orchestra projects a sort of hugeness and importance whose portent is completely fulfilled by the quality of the music ...
Bastian Weinhold: Cityscape
by Dave Wayne
German-born drummer Bastian Weinhold came to New York City in 2009 to study at the Manhattan School Of Music. He quickly got a lot of traction around town, recording and subsequently releasing his debut album, River Styx (Frame Music, 2010) just over a year after his arrival. His backing band on that release included Linda Oh, ...
Peter Erskine: Dr. Um
by Dan Bilawsky
It would appear that this project has awakened the Peter Erskine of yore, the drummer who became legend while cresting the waves of fusion with Weather Report and Steps Ahead. In recent years Erskine's drumming has been spare, elegant, open, and, in enough instances, lightly swinging. If one word would come to mind ...
John Abercrombie on ECM - Part 1: Through the '80s
by Budd Kopman
Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...
