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About Blue Mitchell
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Blue Mitchell
Born:
Blue Mitchell was born March 13, 1930 in Miami, Florida. He took up trumpet in high school where he acquired his nickname. After high school, he toured with R&B bands led by Paul Williams, Earl Bostic, and Chuck Willis. After returning to Miami, he was heard by Cannonball Adderly, who took him to New York to record for Riverside in 1958. Mitchell gained a reputation working with Horace Silver’s quintet from 1958 to March of 1964, where his lyrical playing and beautiful tone perfectly complemented Silver’s simplified, soulful brand of bop. When Silver disbanded in 1963, Mitchell formed his own group, employing most of his fellow musicians, with Silver's place being taken by Chick Corea
About Ron Miles
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Ron Miles
Born:
Denver trumpeter Ron Miles' resume includes time with Bill Frisell, Don Byron, the Ellington Orchestra, and Fred Hess’ Boulder Creative Music Ensemble. Besides being solicited all over the world for his unique sound, Ron is a staple of the Denver jazz scene and his recent releases as band leader show off his skills as a composer and arranger as well as a “phenomenally gifted trumpeter” (Bill Milkowski). A resident of Denver since he was 11, he began playing the trumpet seriously in junior high school and studied music at the University of Denver (1981-1985) and the Manhattan School of Music (1986)
About Bubber Miley
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Bubber Miley
Born:
Bubber Miley's hot trumpet was featured - growling and moaning - on the nightly broadcasts of Duke Ellington's Washingtonians from the Kentucky Club, New York City in the twenties. He wrote the bands early theme-tune, “East St. Louis Toodle-oo,” and was pivotal in the transition of the Washingtonians from a sweet society band to the hot "jungle" band which sparked national attention. This period of Ellington's music saw the recording of much fine traditional/classic jazz featuring Miley. James "Bubber" Miley was born in Aiken South Carolina on 3 April 1903 and his family moved to New York when he was six
About Palle Mikkelborg
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Palle Mikkelborg
Born:
Palle Mikkelborg is a Danish jazz trumpeter, composer, arranger and record producer. Mikkelborg is a fine trumpeter who is best-known stateside for his Aura suite, which Miles Davis recorded in 1984. Self-taught on trumpet, Mikkelborg started working professionally in 1960. He joined the Danish Radio Jazz Group in 1963 and led it during 1967-1972. Mikkelborg performed at the 1968 Newport Jazz Festival in a quintet and has since been a dominant figure on the Danish and international progressive jazz scene. He has released several solo records, and records with various co-founded groups, as well as appearing as sideman or arranger on numerous international records
About Doug Mettome
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About Howard McGhee
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Howard McGhee
Born:
McGhee was born in Tulsa, Oklahoma, but grew up in Detroit. He first learned to play the clarinet and tenor sax, then switched to trumpet. From 1936 to 1940 he travelled around playing in territory bands. In 1941 he led his own band at Detroit's Club Congo. After a short stint with Lionel Hampton he joined Andy Kirk, with whom he made his first recording, his own McGhee Special. During the AFM ban, he spent a year with Charlie Barnet, but returned to Kirk in 1943. In 1944, jobs in the bands of Georgie Auld and Count Basie were followed by his joining the Coleman Hawkin's quintet for half a year in Los Angeles
About Cal Massey
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Cal Massey
Born:
Calvin Massey was an American jazz trumpeter and composer. Massey studied trumpet under Freddie Webster, and following this played in the big bands of Jay McShann, Jimmy Heath, and Billie Holiday. In the late 1950s he led an ensemble with Jimmy Garrison, McCoy Tyner, and Tootie Heath; John Coltrane and Donald Byrd occasionally played with them. In the 1950s he gradually receded from active performance and concentrated on composition; his works were recorded by Coltrane, Freddie Hubbard, Jackie McLean, Lee Morgan, Philly Joe Jones, and Archie Shepp. Massey played with Shepp from 1969 until 1972
About John Marshall
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John Marshall
Born:
John Marshall was born in Wantagh, NY in 1952. From 1971 to 1991, he worked and recorded with a long list of jazz greats. Buddy Rich, Mel Lewis, Lionel Hampton, Gerry Mulligan, Ornette Coleman, George Coleman, Buck Clayton, Mario Bauza and Dizzy Gillespie, to name only a few. Along the way, he constantly worked at perfecting his craft, studying with the great brass teacher Carmine Caruso as well as jazz trumpeter Lonnie Hillyer. He also led the Jazz quintet “The Bopera House” from 1987 to 1991, and stayed very busy as an in-demand studio player. In 1992 the West German Radio-Television (WDR) Big Band in Cologne, Germany, made him an offer he couldn’t refuse and he moved his base of operations there, assuming the position of their principal jazz trumpet soloist
About Michael Mantler
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Michael Mantler
Born:
Michael Mantler was born in 1943 in Vienna, Austria, where he studied trumpet and musicology at the Academy of Music and Vienna University. In 1962 he went to the USA to continue his studies at the Berklee School of Music in Boston. He moved to New York in 1964 and started playing trumpet with Cecil Taylor and others. During that period he was also involved in the formation of the Jazz Composer's Guild, a collective of musicians and composers, struggling for better working conditions and opportunities to present their new music without compromise. Together with Carla Bley he formed a large jazz orchestra to perform new compositions, resulting in their first recording Communication. After the Guild discontinued its activities, he toured Europe twice during 1965/66 with the Jazz Realities Quintet, featuring Steve Lacy and Carla Bley
About Raphe Malik
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Raphe Malik
Born:
Trumpeter Raphe Malik, a fixture in the bands of Cecil Taylor and Jimmy Lyons during the 1970s and 80s, has died of a prolonged illness. He had undergone a liver transplant a year ago but continued to suffer ill health up until his death on March 8, 2006. He was 57 years old.
Malik was born Laurence Mazel in Cambridge, Massachusetts on November 1, 1948. He was a regional tennis champion in high school but foresaw a career in music for himself. Mazel attended UMass-Amherst in the late 1960s, then spent some time checking out the free-jazz scene in Paris before going to Ohio's Antioch College. There his fate was sealed, as he studied under three men who would become longtime friends and associates: Cecil Taylor, Jimmy Lyons and Andrew Cyrille. After graduation he moved to New York, where he continued to work with his former professors at, among other things, a 1974 Carnegie Hall performance. It was then that he set Laurence Mazel aside and took on the stage name, Raphe Malik.


