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10

Liner Notes

Lou Donaldson: Say It Loud

Read "Lou Donaldson: Say It Loud" reviewed by C. Andrew Hovan

by C. Andrew Hovan

It's hard to imagine now, but there was a time when the sound of jazz could be heard lingering in the smoky corners of neighborhood bars in every major city from New York to Los Angeles. These ghetto hangouts were on what was often called the 'chitlin' circuit,' a network of predominantly black operated venues that presented organ combos as the norm. Be it at The Smiling Dog Saloon in Cleveland or The Front Room in Newark, jazz and more ...

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Album Review

John Mayall: The First Generation 1965-1974

Read "The First Generation 1965-1974" reviewed by Maurizio Comandini

by Maurizio Comandini

Se gli inglesi hanno soprannominato “The Godfather of the British Blues" l'imperturbabile John Mayall una ragione ci sarà... La malavita non c'entra nulla, per fortuna, ma c'entra tantissimo la buona musica e la capacità di organizzarla partendo da zero, o quasi. John Mayall è nato a Macclesfield, il 29 novembre del 1933. Siamo nello Cheshire, meno di trenta chilometri a sud di Manchester. Il padre è un chitarrista dilettante, appassionato di jazz e di blues e ...

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43

Extended Analysis

The First Generation 1965-1974

Read "The First Generation 1965-1974" reviewed by John Kelman

by John Kelman

What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin Allen, trumpeters Henry Lowther and Blue Mitchell, and violinist Don “Sugarcane" Harris all share in common? They are but a few of the notable ...

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29

Radio & Podcasts

Time for Listeners’ Favorites

Read "Time for Listeners’ Favorites" reviewed by Marc Cohn

by Marc Cohn

It's a show with a number 5 in it (show 425 to be precise). So, it's time for listeners' favorites from shows 411-420. See if yours made the list. Toes tappin' mask on! Enjoy! Playlist Gary Burton “Boston Marathon" from Good Vibes (Atlantic) 00:00 Jack McDuff “Hunk O' Funk" from To Seek a New Home (Blue Note) 07:16 Ralph Peterson “Played Twice" from Fo'tet Plays Monk (Evidence) 13:17 Thelonious Monk “Brilliant Corners" from Brilliant Corners (Riverside) 18:02 ...

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11

Album Review

Tina Brooks Quintet: The Complete Recordings

Read "The Complete Recordings" reviewed by Chris May

by Chris May

Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...

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20

Album Review

Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

Read "The Complete Hank Mobley Blue Note Sessions 1963-70" reviewed by C. Andrew Hovan

by C. Andrew Hovan

The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...

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411

Album Review

Blue Mitchell: Down With It!

Read "Down With It!" reviewed by Matt Leskovic

by Matt Leskovic

It's about time that everyone gets down with Blue Mitchell.

During an era when hard bop giants roamed the earth, trumpeter Blue Mitchell was overshadowed by his more brash contemporaries such as Lee Morgan and Freddie Hubbard. While Mitchell may have not been the most daring hard bop trumpeter, he was unquestionably one of the most steady and reliable.

Consistency is the name of Mitchell's game. His tone is focused and relaxed, and beautifully rounded in ...

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