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The Attic: Summer Bummer
by Troy Dostert
No, the title of the latest release from The Attic, a free-improvisational trio comprised of Rodrigo Amado, Gonçalo Almeida and Onno Govaert, has nothing to do with the track by Lana Del Rey. It is instead taken from the name of the Summer Bummer Festival, at which this superb group performed in Antwerp, Belgium in 2018. ...
Rich Halley: Terra Incognita
by Troy Dostert
In a musical career that stretches back to the 1980s, tenor saxophonist Rich Halley has stoutly maintained his independent path in creating jazz that is inspired by the freedom of the '60s avant-garde but which also draws liberally from the language of bop. You can hear both Albert Ayler and Sonny Rollins in his playing. But ...
Sylvie Courvoisier and Mark Feldman: Time Gone Out
by Troy Dostert
In a partnership that spans decades, pianist Sylvie Courvoisier and violinist Mark Feldman have forged a musical language that essentially obliterates the idiomatic distinctions between classical composition and improvised jazz. Both are unquestioned virtuosos, with the technical ability to do virtually anything on their respective instruments, and this is critical to their ability to create music ...
Skip Wilkins Quartet feat. Daniel Wilkins: Czech Wishes
by Troy Dostert
Although he's based in Eastern Pennsylvania, where he teaches at Lafayette College, pianist Skip Wilkins spends as much time as he can in the Czech Republic, the source of inspiration for his last two releases. Czech Dreams (New Port Line, 2013) and Czech Wishes, his current project, are not so much about crafting an Eastern European-tinged ...
Kenneth Jimenez: Sublunary Minds
by Troy Dostert
Although he is a relative newcomer as a bassist and composer, Kenneth Jimenez keeps some pretty distinguished company. One of his current projects, Sonnet to Silence, marshals the talents of some avant-garde heavy hitters, pianist Angelica Sanchez, drummer Gerald Cleaver, and saxophonist Hery Paz. His partners on Sublunary Minds, his second disc as leader, aren't quite ...
Ocean Fanfare: First Nature
by Troy Dostert
It can be difficult to keep up with trumpeter Tomasz Dabrowski. His incessant musical explorations have kept him in the forefront of European jazz since 2012, when he debuted his Tom Trio (ILK Music), the first of several different projects he has formed. Most recently he released Ninjazz (For Tune, 2018), a well-conceived outing featuring three ...
Angelika Niescier - Christopher Tordini - Gerald Cleaver (feat. Jonathan Finlayson): New York Trio
by Troy Dostert
After alto saxophonist Angelika Niescier's masterful live disc from 2018, Berlin Concert (Intakt), she decided to head into the studio to document her continually evolving compositions. It's a somewhat altered line-up from the earlier album. Niescier's go-to bassist, Christopher Tordini remains. However, instead of Tyshawn Sorey we have Gerald Cleaver occupying the drum kit; and we ...
Nick Mazzarella Trio: Counterbalance
by Troy Dostert
Although he is well-accustomed to working in other settings, alto saxophonist Nick Mazzarella is perhaps at his strongest in a trio format: specifically, the sax-bass-drums configuration that allows for both maximum harmonic freedom and focused rhythmic interaction. In 2017 his Meridian Trio (featuring bassist Matt Ulery and drummer Jeremy Cunningham) released Triangulum (Clean Feed), an excellent ...
Michael Eaton: Dialogical
by Troy Dostert
A saxophonist and composer with uncommon ambition, Michael Eaton seems to recognize no limits whatsoever on his craft. He's played in virtually every style imaginable: free improvisation, Latin jazz, post-bop, classical, reggae and rock, just to scratch the surface--and he keeps company with a cross-section of today's cutting-edge players, including James Brandon Lewis, Michael Attias and ...
Matt Mitchell: Phalanx Ambassadors
by Troy Dostert
Pianist Matt Mitchell's music can be appreciated on a number of levels. It's remarkably cerebral, on the one hand, with a conceptual apparatus that sometimes verges on the impenetrable; yet there are also moments in which the many moving parts of his compositions come together in ways that are quite emotionally powerful. And then there's simply ...
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