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Article: Interview

Kevin Hays: Creative Flow

Read "Kevin Hays: Creative Flow" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...

News: Performance / Tour

FFEAR at the Rubin Museum Of Art on October 4

FFEAR at the Rubin Museum Of Art on October 4

FFEAR - OCT 4 - RUBIN MUSEUM OF ART Featuring World Premiere Compositions FFEAR with Ole Mathisen & Chris Washburne Oct. 4 - Rubin Museum of Art Time: 7:00pm Price: $18 advance / $20 day of Rubin Museum of Art 150 West 17th St. New York, NY

News: Education

New York Jazz Workshop Set For Annual Summer Sessions

New York Jazz Workshop Set For Annual Summer Sessions

NEW YORK, NY: More than beach and barbeques, for jazz musicians around the world summer is the time to take their playing to the next level in the world capital of jazz, as the New York Jazz Workshop School of Music (NYJW) will again offer focused four-day workshops, July 25 through August 18, with sessions for ...

Album

Back In The Mix

Label: Polyglot Music
Released: 2012
Track listing: Back In The Mix; Hand In Hand; Tenderly; Here; Just Happy; Lament; Falling In Love With Love; Kenai; After All Is Said And Done

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News: Recording

FFEAR (Forum for Electro-Acoustic Research) to Release New Recording "Mirage" on Jazzheads Records.

FFEAR (Forum for Electro-Acoustic Research) to Release New Recording "Mirage" on Jazzheads Records.

FFEAR (Forum for Electro-Acoustic Research) is an adventurous improvising quartet co-led by long-time collaborators Ole Mathisen and Chris Washburne.  FFEAR's prime objective is to research and explore new sonic possibilities by adopting contemporary classical compositional techniques into an improvisational setting. Conventional uses of meter, tonality, and harmony are replaced with multiple meters, microtonality, and open templates ...

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Article: Album Review

Dan Wilensky: Back In The Mix

Read "Back In The Mix" reviewed by Dan Bilawsky


Thirteen years separated the release of tenor saxophonist Dan Wilensky's first two albums-- And Then Some (Speechless, 1997) and If You Only Knew (Speechless, 2010)--but the saxophonist wasn't sitting around idly during that stretch of time. Wilensky's work as a session player, touring musician, author, and educator kept him beyond busy, yet his own music suffered ...

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News: Recording

New Dan Wilensky Quartet Record: "Back In The Mix"

New Dan Wilensky Quartet Record: "Back In The Mix"

Dan Wilensky's Back In The Mix features Mark Soskin (piano), Dean Johnson (bass), Tony Moreno (drums), and special guest Russ Johnson (trumpet) in a musical tour de force. Wilensky's 4th recording as a leader includes new arrangements of Cole Porter's “Falling In Love With Love," Gross and Lawrence's “Tenderly," “Lament" by the great J.J. Johnson, and ...

Album

Group Therapy

Label: Self Produced
Released: 2011
Track listing: Reckless Tongue; Real Time; Exotikiss; Certain Nights; Smile; Perpetual Blues; Neurology; 21st Century Blues; Downtown; Group Therapy.

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News: Performance / Tour

Saxophonist Benjamin Drazen Performs at the 55 Bar, September 8, 2011

Saxophonist Benjamin Drazen Performs at the 55 Bar, September 8, 2011

Saxophonist Benjamin Drazen brings his ensemble—including pianist Roy Assaf, bassist Francois Mouton, and drummer Tony Moreno—to the 55 Bar for a performance on Thursday, September 8, at 7:00 p.m. Praised by Jazz Times as a “potent alto saxophonist" who plays “with soulful authority," Benjamin Drazen has performed alongside some of jazz's luminaries, including Rashied Ali, George ...

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Article: Album Review

Dan Wilensky: Group Therapy

Read "Group Therapy" reviewed by Charles Walker


Tenor saxophonist Dan Wilensky possesses a warm, accessible tone on his instrument, and at first glance Group Therapy seems tailor-made to feature this broad, bluesy sound on ten straightforward compositions. However, less than two minutes into “Reckless Tongue," the album opener, the syrupy head breaks down into a standstill of rests and whole notes before sliding ...


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