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1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
J.R. Monterose – Blue Note 1536
by Marc Davis
J.R. Monterose is that rare bird at Blue Note Records--the guy who got one shot at leading a band, then practically vanished from the face of the earth. It's odd because the history of Blue Note is filled with famous guys (almost never gals) who took up residence and stayed just about forever. Think ...
Charles Lloyd: Manhattan Stories
by Hrayr Attarian
Since 2008 the non-for-profit label Resonance has put out a number rare historic, previously unreleased, recordings. Saxophonist John Coltrane's 1966 Temple University concert Offering: Live at Temple University (Resonance, 2014) and pianists Tommy Flanagan and Jaki Byard's 1982 duet at Keystone Korner The Magic of 2 (Resonance, 2011) are a couple examples from this treasure trove. ...
Thad Jones: Detroit-New York Junction – Blue Note 1513
by Marc Davis
Before he became famous as the leader of a big band, Thad Jones was a trumpet player, and a damn good one. In 1956, Jones led his first jazz group. It was a small sextet--unlike his later, more celebrated ensemble, co-led by Mel Lewis. This short album, which chronicles that session, has only five ...
Steve Wilson/Lewis Nash: Duologue
by Dan Bilawsky
Saxophone and drum duos aren't as rare as some might believe, but a good percentage of such encounters are challenging, left-leaning affairs. John Coltrane's edgy encounters with Rashied Ali on Interstellar Space (Impulse!, 1974) emboldened many in the so-called avant-garde to marry these instruments time and again over the ensuing decades, yet few centrists seem as ...
Dave Sharp: Worlds
by Chris M. Slawecki
Detroit-based bassist Dave Sharp and the Secret 7 ensemble he leads have found acclaim for their expansive grasp of world music, including and especially jazz: Sharp has toured jazz clubs throughout Japan and studied jazz theory and music at the New College of California with bassist Herbie Lewis, who nailed down rock-solid rhythmic bottoms for soul-jazz ...
Worlds Apart, Whirled Together
by Chris M. Slawecki
BossaCucaNova Our Kind of Bossa Six Degrees 2014 Our Kind of Bossa celebrates fifteen fun years of BossaCucaNova, one of Brazil's most adventurous contemporary ensembles (and was also timed to coincide with Brazil hosting the 2014 soccer World Cup). These eleven tracks fuse the electro-bossa nova for which the group ...
Emilia Mårtensson: Ana
by Mark Corroto
Jazz does indeed reside in one large house these days. Thanks to the world travels of Don Cherry and Randy Weston in the 1960s, the European free movement, The Latin voice, and the indelible mark of ECM Records, jazz has transmuted into folk music. It had to happen, what once was the province of the New ...
Emil Viklicky & George Mraz: Mraz & Viklicky: Together Again
by Ian Patterson
In European jazz the assimilation of folkloric influences has become commonplace as the American vernacular--or more specifically the Great American Songbook--exerts less of a hold. Czech musicians pianist Emil Viklický and bassist George Mraz's collaborations on Morava (Fantasy/Milestone 2001)--with drummer Billy Hart and singer Zuzana Lapcikova--and Moravian Gems (Cube-Métier 2007) with singer/violinist Iva Bittova and drummer ...
Jazz Musician of the Day: Tommy Flanagan
All About Jazz is celebrating Tommy Flanagan's birthday today! Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with ...
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