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Article: Album Review

Thomas Chapin: Never Let Me Go

Read "Never Let Me Go" reviewed by Giuseppe Segala


L'ascolto di questo cofanetto fa rinascere aspra l'amarezza per la scomparsa prematura, nel 1998 a soli quarant'anni, di Thomas Chapin. Una raccolta che contrasta l'oblio e aggiunge qualche motivo di stupore e riflessione all'esperienza di chi ha apprezzato la fulminea, ricchissima eppure troppo breve vicenda artistica di quel grande musicista, straripante di vitalità e umanità.

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News: Recording

Drummer Daniel Freedman Leads An All-Star Quintet On Imagine That, With Rhythmically Infectious Originals, A Radiohead Cover And Guest Vocal On "Baby Aya" By World Music Star Angélique Kidjo

Drummer Daniel Freedman Leads An All-Star Quintet On Imagine That, With Rhythmically Infectious Originals, A Radiohead Cover And Guest Vocal On "Baby Aya" By World Music Star Angélique Kidjo

Drummer Daniel Freedman Leads an All-Star Quintet on Imagine That, with Rhythmically Infectious Originals, a Radiohead Cover and Guest Vocal on “Baby Aya" by World Music Star Angélique Kidjo The album—to be released in the U.S. by Anzic Records on April 15, 2016—finds Freedman in league with a group of kindred spirits: guitarist Lionel Loueke, keyboardist ...

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News: TV / Film

Musicians, Music Fans -- Join Us At A Free Screening Of The New Thomas Chapin Film

Musicians, Music Fans -- Join Us At A Free Screening Of The New Thomas Chapin Film

A First Look at THOMAS CHAPIN, NIGHT BIRD SONG A New Music Film ABOUT THE FREE SCREENING New York FREE Screening, SVA Theatre, on Sunday, March 13- 333 West 23 Street, NY, NY 10010. Doors open at 1 p.m.; the film begins 1:30 p.m. RSVPs required here THE FILM Destined to be among the great virtuosos ...

1

News: Recording

The New York Standards Quartet Celebrates Ten Years Of Touring & Recording With New CD "Power Of 10"

The New York Standards Quartet Celebrates Ten Years Of Touring & Recording With New CD "Power Of 10"

The New York Standards Quartet Celebrates Ten Years of Touring & Recording With New CD Power Of 10 Feat. Tim Armacost (saxophones), David Berkman (piano), Michael Janisch (double bass), Gene Jackson (drums) Available on Whirlwind Recordings March 18, 2016 (US & Japan) (December 4, 2015 in Europe) CD Release Celebration: April 28 @ Smalls, NYC NYSQ ...

6

Article: Album Review

Jon Irabagon: Behind The Sky

Read "Behind The Sky" reviewed by Budd Kopman


Simply put, Behind The Sky is a flat-out superlative recording by saxophonist Jon Irabagon. Straddling “inside" and “outside," it can be appreciated by those more comfortable with the straight-ahead (with some stretching, of course), as well as those who enjoy music which challenges the ear and mind. The “rhythm section," consisting of pianist Luis ...

Album

Trip

Label: HighNote Records
Released: 2015
Track listing: Sunday; Cycle; The Adventures of a Quixotic Character – The Ingenious Gentleman; The Duke and the Duchess; Enchanted; Sancho and Rocinante; The Princess; Windmills; Coming Home; Coastline; After the Game is Over; There.

Album

First Impressions

Label: HighNote Records
Released: 2015

Album

Number Five

Label: HighNote Records
Released: 2015
Track listing: Blue 'N' Boogie; No. 5; Journey To The Stars; Present; Star Eyes; Right As Rain; Melody In B-Flat.

Article: Multiple Reviews

Jazzy Christmas - Creole Christmas

Read "Jazzy Christmas - Creole Christmas" reviewed by Angelo Leonardi


I canti natalizi si sono trasformati nel tempo da inni prettamente religiosi, derivati da laudi o ninne-nanne in onore a Gesù bambino, a pop song strutturate sul modello Tin Pan Alley, che celebrano il Natale in un'ottica secolarizzata, mantenendo i valori di amore e fratellanza. La relazione tra jazz e canti di ...

10

Article: Album Review

Conte Candoli: Sincerely, Conte

Read "Sincerely, Conte" reviewed by Richard J Salvucci


On the old Tonight Show (as in Carson, not Leno, much less Parr), I once remember “Conte Candoli unwinding a great solo on “King Porter Stomp." No surprise, I guess, for a guy who cut his teeth with the big bands of the late 1940s. But as he went into his second chorus, he quoted “Epistrophy," ...


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