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Tim Daisy

Tim Daisy Percussion/Composition Tim has been an active member of Chicago’s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city’s celebrated musicians and ensembles. Along with performing percussion duties in internationally acclaimed bands including the Vandermark 5, The Rempis Percussion Quartet, and The Engines, Tim maintains an active composing schedule, writing for his own groups as well as contributing to a number of collaborative ensembles including chamber groups, jazz ensembles, dance, and film. Tim has had the fortunate experience to perform and/or record with many great improvisers both from the United States and around the world, including: Fred Anderson, Ken Vandermark, Joe McPhee, Dave Rempis, Xavier Charles, Fred Lonberg-Holm, Waclaw Zimpel, Mikolaj Trzaska, Steve Swell, Magnus Broo, Jeb Bishop, Erik Friedlander, Havard Wiik, Jim Baker, Michael Zerang, Per-Ake Homlander, Nate McBride and James Falzone. His festival performances include: Suoni Per Il Poplo in Montreal QC, North Sea Jazz Festival in the Netherlands, The Newport Jazz Festival, Le Mans Jazz Festival in Le Mans, France, Banlieue Bleue Festival in Paris, the Chicago Jazz Festival, Enjoy Jazz Festival in Mannheim, Germany, Festival Jazz a Mulhouse in Mulhouse, France, Umbrella Music Festival in Chicago, Ring Ring Festival in Belgrade, Serbia, Lviv Jazz Festival in Lviv, Ukraine, Debrecen Jazz Days in Debrecen, Hungary, Wels Jazz Festival in Wels, Austria, Phrenology Fest in Chicago, the Elastic Festival of Improvised music in Chicago, and the Third Ward Jazz Festival in Milwaukee, Wisconsin. Groups as a leader: Vox Arcana : Tim Daisy: percussion/marimba James Falzone: clarinet Fred Lonberg-Holm: cello Tim Daisy’s Group 4-34 : Jeb Bishop- trombone Jason Stein-bass clarinet Devin Hoff-bass Tim Daisy- percussion/marimba As a sideman/collaborator: Rempis Percussion Quartet Made To Break Inner Ear KLANG The Engines Rempis/Daisy duo Kyle Bruckmann’s WRACK Resonance Ensemble Vandermark/Daisy Duo ARRIVE Marc Riordan Trio

Heavy Rotation For A Pandemic Summer

Read "Heavy Rotation For A Pandemic Summer" reviewed by Mark Corroto

In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...

ARTICLE: ALBUM REVIEW

Rudy Royston: PaNOptic

Read "PaNOptic" reviewed by Karl Ackermann

Like many jazz musicians in 2020, drummer/composer Rudy Royston has felt the direct effects of living in the coronavirus world. The Texas native, now a New Jersey resident, found his streams of income drying up without gigs, but then experienced a fortunate twist of fate that stood him up. Head above water, the artist pays it ...

ARTICLE: ALBUM REVIEW

Steve Swell / Robert Boston / Michael Vatcher: Brain In A Dish

Read "Brain In A Dish" reviewed by John Sharpe

It is hard to think of a more complete trombone player on the scene than Steve Swell. While a go-to sideman for the likes of William Parker, Ken Vandermark, Jason Kao Hwang and Tim Daisy, he has also amassed a significant body of work over the years in his own right. Although his output has featured ...

ARTICLE: ALBUM REVIEW

Made To Break: F4 Fake

Read "F4 Fake" reviewed by Mark Corroto

If you count their three download-only releases from 2016, F4 Fake by Ken Vandermark's Made To Break is the band's ninth release since forming in 2011. This is significant because like his quintet Vandermark 5, which existed from 1996 until 2010, this quartet and his ensemble Marker are the main drivers for the trailblazing composer. Not ...

ARTICLE: MULTIPLE REVIEWS

Inexhaustible Editions: The Little Label That Roars

Read "Inexhaustible Editions: The Little Label That Roars" reviewed by Mark Corroto

In the 1980s, American writer John Corbett traveled Europe searching for out-of-print LPs from small labels which he eventually produced reissues titled the Unheard Music Series first for Atavistic Records, then his own Corbett vs. Dempsey label. His mission was to preserve the music which formed the jazz and improvisation canon but was largely ignored, simply ...

ARTICLE: ALBUM REVIEW

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala

Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

ARTICLE: ALBUM REVIEW

Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Mark Corroto

The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...

ARTICLE: ALBUM REVIEW

Zlatko Kaućić: Diversity

Read "Diversity" reviewed by Mark Corroto

This 5-CD box Diversity was produced to honor Slovenian percussionist Zlatko Kaučič's 40 years in music. It is many things, but what it is not, is a career retrospective. How could it be? For quite awhile the drummer was a nomad, moving to Barcelona in 1976, then Amsterdam where he absorbed the new Dutch swing. His ...

ARTICLE: ALBUM REVIEW

Matt Piet & His Disorganization: Rummage Out

Read "Rummage Out" reviewed by John Sharpe

Perhaps it was pianist Matt Piet's appearances with esteemed reedman Dave Rempis on the co-operative Hit The Ground Running (Aerophonic, 2016) which first started to garner him attention, but he is certainly beginning to gain a reputation in his own right, a trend which can only be furthered by the release of Rummage Out. Piet set ...


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