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Earscratcher - Rempis/Harnik/Lonberg-Holm/Daisy: Otoliths
by Mark Corroto
How do these four musicians--individually and collectively--manage to create music that is consistently compelling? Part of the answer lies in their versatility. Each is a formidable soloist, an accomplished bandleader and a sought-after collaborator in improvising ensembles. For Earscratcher, Austrian pianist Elisabeth Harnik joins forces with three longtime stalwarts of the Chicago scene: saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Tim Daisy. The Chicago contingent first forged their bond in the trailblazing Vandermark 5 and have since collaborated across ...
Continue ReadingSamo Salamon Ra Kalam Bob Moses Orchestra: Dream Suites vol. 1
by Alberto Bazzurro
Basta scorrere i nomi dei musicisti coinvolti nell'operazione per capire di quale rappresentatività per una data scena della più creativa e verace attualità jazzistica “unga" questo assolutamente notevole album cofirmato dal chitarrista sloveno Samo Salamon e dal batterista newyorchese Bob Moses. Lo compongono tre soli ampi brani (dai tredici minuti alla mezz'ora appena scarsa) incisi nel novembre 2023 e fondati sulla pratica della libera improvvisazione (non si parla neppure di conduction, in questo caso), raggiungendo una dimensione formale assolutamente invidiabile, ...
Continue ReadingTim Daisy and Ken Vandermark: Fourth Atlas
by John Sharpe
True to its title, Fourth Atlas is the fourth album by the Chicago twosome of reedman Ken Vandermark and drummer Tim Daisy. Daisy was a member of the esteemed Vandermark 5 from 2002 to its demise in 2010, and the association has only deepened since. More than shared history, they enjoy a a shared aesthetic and profound appreciation for form. As a result this set of eight cuts, while credited to both and presumably spontaneously realized, could easily be mistaken ...
Continue ReadingRuss Johnson Quartet: Reveal
by Troy Dostert
While he has appeared on seemingly countless releases as a sideman, trumpeter Russ Johnson remains chronically under-recorded as a leader. It thus comes as a cause for rejoicing whenever one sees his name at the top of a release. Thankfully, Calligram Records has helped redress that problem with Reveal, Johnson's latest offering featuring a quartet with violinist Mark Feldman, bassist Ethan Philion and drummer Timothy Daisy. Geof Bradfield and Chad McCullough started Calligram with an eye toward showcasing some of ...
Continue ReadingDave Rempis' Percussion Quartet: Sud Des Alpes
by John Sharpe
Recorded live in Geneva during the group's 15th Anniversary tour, Sud Des Alpes is the tenth outing from Chicago-based saxophonist Dave Rempis' Percussion Quartet. The band is one of his longest established outlets, boasting a consistent membership, with the drum stools occupied by Tim Daisy and Frank Rosaly since the first album in 2005, and just one bassist prior to current incumbent Ingebrigt Håker Flaten. More to the point, they continue to find new avenues to explore within their preferred ...
Continue ReadingThe Rempis Percussion Quartet: Sud Des Alpes
by Mark Corroto
Sometimes a band hits a stretch, much like an athlete with a hot hand, and produces a string of special recordings. Sud Des Alpes is The Rempis Percussion Quartet's tenth release and it follows Cochonnerie (Aerophonic, 2017). Like all the quartet's releases except Montreal Parade (482 Music, 2011), it captures a live performance. This at AMR in Geneva, Switzerland in 2019 as part of a European tour and the unit's fifteenth anniversary. Little has changed, except for the replacement of ...
Continue ReadingDan Phillips Quartet: Converging Tributaries
by Mark Corroto
Sorry New York, but Chicago jazz hits harder. And maybe it always has, with players like Gene Ammons, Von Freeman, Fred Anderson and today's stars, Dave Rempis, Frank Rosaly, Hamid Drake, and Fred Lonberg-Holm, to name just a few musicians. Maybe it is the winters, or is it the searing heat of summer that mutates the DNA? Whatever the cause, once altered, the musical whomp is fixed. Even when the musicians have left the Windy City, its influence remains. A ...
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