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Article: Album Review

Elliot Galvin Trio: Dreamland

Read "Dreamland" reviewed by Roger Farbey

by Roger Farbey

From the jokey toy piano start of “Ism" to the aborted boogie woogie of “Blues" where Galvin introduces a reflective change of mood, introducing a luxuriant chord-rich theme, it's patently obvious that this is no ordinary piano trio album. The pastoral “A Major" for example, one of the less frenetic tracks, nonetheless contains its own intriguing ...

4

Article: Album Review

Elliott Sharp: Sharp? Monk? Sharp! Monk!

Read "Sharp? Monk? Sharp! Monk!" reviewed by C. Michael Bailey

by C. Michael Bailey

Polymath musician Elliott Sharp fears nothing creatively. He will as readily dismantle the blues into its atomic components as he will Western European classical music. Or jazz, for that matter. On Sharp? Monk? Sharp! Monk!, Sharp attempts the impossible, that is: a post-modern dissection of five Thelonious Monk pieces, played on guitar no less. Ex vivo ...

11

Article: Interview

Simon Toldam: A New Perspective in Jazz

Read "Simon Toldam: A New Perspective in Jazz" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Danish pianist and composer Simon Toldam is a man who is used to getting involved in many different musical situations. Toldam thrives on diversity and he has played all kinds of music, from folk music to modern jazz and avant-garde. No matter what he is playing, he invests himself in the different musical contexts and brings ...

14

Article: Album Review

Barry Altschul's 3dom Factor: Tales of the Unforeseen

Read "Tales of the Unforeseen" reviewed by Karl Ackermann

by Karl Ackermann

Barry Altschul made his mark on the musical world at a time of both turmoil and guarded acceptance. Charles Lloyd's quartet, with the unknown pianist Keith Jarrett, was bridging a gap with psychedelic rock at the Fillmore West; Miles Davis' Bitches Brew (Columbia, 1970) along with the work of groups like Weather Report, the Mahavishnu Orchestra ...

Article: Album Review

Matt Lavelle, John Pietaro: Harmolodic Monk

Read "Harmolodic Monk" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Un album il cui titolo evoca simultaneamente due grandi iconoclasti come Ornette Coleman e Thelonious Monk non può che incuriosire. Le composizioni, poi, rimandano tutte al secondo, mentre ornettiano (armolodico, appunto) dovrebbe essere il trattamento. Matt Lavelle, che con Ornette ha studiato (e ha pure suonato con Bern Nix, chitarrista del Prime Time), ...

1

Article: Album Review

Joe Albany: Now's The Time

Read "Now's The Time" reviewed by C. Michael Bailey

by C. Michael Bailey

Pianist Joe Albany (1924-1988) is a musicological artifact within an art form full of them. Most recently, Albany has garnered attention through the movie and soundtrack Low Down (Bona Fide Productions, 2014, directed by Jeff Priess) based on the bracing, stream-of-conscience memoire written by his daughter, Amy-Jo Albany. His is a story told many times: near-genius ...

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News: Recording

Saxophonist/Composer John Wojciechowski's "Focus" Due For Sept. 18 Release By Origin Records

Saxophonist/Composer John Wojciechowski's "Focus" Due For Sept. 18 Release By Origin Records

Tenor, alto, and soprano saxophonist John Wojciechowski has been a mainstay of Chicago's world-class jazz scene since his arrival from Detroit in 2002, forging close alliances with first-call musicians such as pianist Ryan Cohan, bassist Dennis Carroll, and drummer Dana Hall. Those players happen to be the members of his tightly-knit working quartet, who appear on ...

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Article: Album Review

Fred Hersch: Solo

Read "Solo" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Fred Hersch is celebrating his sixtieth birthday year in style, with a week of performances at the legendary Village Vanguard, his debuts at the Newport Jazz Festival and Jazz at Lincoln Center, and the release of Fred Hersch Solo. The achievement of surviving six decades is noteworthy, poignant and auspicious considering Hersch's near-communion with death ...

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Article: Album Review

Fred Hersch: Solo

Read "Solo" reviewed by Mark Sullivan

by Mark Sullivan

To paraphrase the famous remark Miles Davis made about Bill Evans, Fred Hersch plays the piano the way it ought to be played. This album documents a live performance from August, 2014, which was not originally intended for release. But when Hersch listened to it, he changed his mind. “I firmly believe this may be the ...

7

Article: Album Review

Giacomo Gates: Everything Is Cool

Read "Everything Is Cool" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Federal regulations require food and beverage manufacturers to provide “Nutrition Facts" on all package labels. They want you to know what you're digging into. Now, if recordings had that same requirement, Everything Is Cool from Giacomo Gates might read this way: “Ingredients: 100% genuine talent and devotion to the true art of jazz vocalizing. All natural ...


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