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9

Article: Album Review

Terje Rypdal: Melodic Warrior

Read "Melodic Warrior" reviewed by John Kelman


Some albums are worth the wait, even if that wait is a full decade. The lion's share of guitarist Terje Rypdal's Melodic Warrior is devoted to the nine-movement title suite, a 2003 recording with the Bruckner Orchester Linz and, most importantly, the Hilliard Ensemble, the vocal ensemble that leapt to greater fame with Officium (ECM, 1993), ...

10

Article: Live Review

Molde International Jazz Festival 2013

Read "Molde International Jazz Festival 2013" reviewed by John Kelman


Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...

3

Article: Take Five With...

Take Five With Billie Davies

Read "Take Five With Billie Davies" reviewed by AAJ Staff


Meet Billie Davies:Drummer and band leader Billie Davies is mostly an autodidact whose natural talent, relentless, explorative spirit, and multifaceted experiences have led to an innovative approach to jazz. With a background in classical and jazz along with a lifetime of musical experiences in jams, performances, recordings, and music production, the listener is treated ...

8

Article: Album Review

Eyes of a Blue Dog: Rise

Read "Rise" reviewed by John Kelman


As disproportionate as the amount of fine music being made in Norway is to its relatively small population of five million, so, too, is its surprisingly large cadre of outstanding drummers. A quick scan through the list of drummers who have made some kind of name for themselves, both at home and abroad, include--amongst many, many ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

16

Article: Extended Analysis

Charles Lloyd: Quartets

Read "Charles Lloyd: Quartets" reviewed by John Kelman


ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...

3

Article: Album Review

Anders Nilsson / Joe Fonda / Peter Nilsson: Powers

Read "Powers" reviewed by Eyal Hareuveni


This collective trio teams American bass master Joe Fonda, known for his collaborations with innovative musicians and composers such as saxophonist Anthony Braxton, trumpeter Wadada Leo Smith and pianist Carla Bley, with Swedish brothers a generation younger than Fonda-- guitarist Anders Nilsson, based in New York since 2000, and drummer Peter Nilsson, based in Malmö, Sweden. ...

23

Article: Meet the Staff

Meet John Kelman

Read "Meet John Kelman" reviewed by AAJ Staff


I currently live in: Ottawa, Canada I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? After deciding to start writing about music in about 2001, and starting at smaller websites, I was approached by All About Jazz in late 2003, with the question: “We've ...

6

Article: Extended Analysis

Moskus: Salmesykkel

Read "Moskus: Salmesykkel" reviewed by John Kelman


For a country isolated in the north of Europe, Norway has experienced a surprising number of musical waves. The first came in the early '70s, when producer Manfred Eicher and his fledgling ECM Records label brought the Scandinavian “big five"--Swedish pianist Bobo Stenson and, from Norway, saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Arild Andersen and ...

2

Article: Album Review

WA: Cross The Center

Read "Cross The Center" reviewed by Dave Wayne


On its surface, Cross The Center may seem like a guitar/drums free jazz freakout. This perplexingly named group from the Pacific Northwest, like their homies Dylan Carlson, SUNN)))000, and The Melvins, proves convincingly that it is possible to freak out with great intelligence, wit and skill. Sure, the electric guitars of Simon Henneman and C. J. ...


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